The film puhlt the audience mercilessly and painfully long believed buried longings and ideals out and drilled well into old wounds. For people in periods of depression it is not suitable. The drama is in the audience.
The film is also a counterpoint to social modernity, in which the "I" a fetish and that "we" are insignificant. Be Inzeniert casually both inconsequential social superficiality and pretense and the eternal truth of the beautiful. In this respect, is not quite convincing that the hero without his family can no longer live and wants and also takes the arduous self-flagellation in without guilt. Is the love of the cross, which he must carry on his last journey?
Actually, looking all figures luckless included for happiness, spectator.
The masterful artistic work with languages, non-translations and scenic keywords have a beneficial effect.
Outstanding, almost overwhelming the music. The burns, Ulzhan, the images and the story, so that you have a long and hard to chew it.
