An amazing album, a real masterpiece

After cutting ties with Oasis (other members of the group who founded the band Beady Eye, which just splitter and has never exceeded the 2nd division rock bands), Noel Gallagher had already pleased with its High Flying Birds. The first album was a real pleasure, continuing the last two Oasis albums, with beautiful faces B, followed by a live DVD (with a beautiful album of demos for fans).
Many demos were leaked on Youtube, and many were lost in conjectures. What will he offer us this time? How to renew itself after so many sparks? Some had taken fright on learning that he was going to produce one album, but it was forgotten that he was able to chisel a very personal sound, as demonstrated by the B side of Falling down the days of Oasis, Those swollen hand blues.
The album is finally out. It is a marvel. The appetizer with In the heat of the moment has in fact failed to fully perceive the greatness of the album, so this record is huge. Without denying the past (Lock all the doors date from 1991 to 1992, and it circulates even a demo with the first version of Oasis, Liam so with the song!), Noel is moving forward. It evolved from the time it is looking for new sounds to create moods and melodies finally allowing it to break free from the shackles Oasis. Ballad of the Mighty I masterfully concludes the album, but it must be stressed that there is no weakness on this disc, alternating blues atmospheres (Riverman, The Right Stuff), pop-rock wonders (Lock all the doors, You know we can not go back), psychedelic atmospheres (The Girl with W-Ray Eyes) and electro in the vein of Falling down or AKA What A Life (The Mexican).
Those who say that Noel Gallagher is all the time the same disc have never listened to this artist, who is definitely to place among the greatest songwriters in history.
The little bonus EP pleased because we found the B-side Do the Damage, but also Freaky Teeth in his studio version, and Revolution song, the demo, known to all fans of Oasis, date of the era Standing on the shoulder of giants. The fact that these older titles are not found on the album climb Noel does not delight in the past. He assumes it, but it continues on. He advances ... and we with him.