But it is also difficult for the monster project Confessions to make something together what is this justice. But the big difference between Confessions and Sticky & Sweet is the audience-close. I found Madonna in this tour much more open to their audience over and this is also evident on the DVD, which was not as much as the Confessionstour designed for creative concoction, but the fans incorporates with, filming through the ranks, long shot of the stadium (an incredible collection feierwütiger Argentines) shows! and also takes in Madonna's nice conversation with the white-blue-striped shirt of the first series the audience targeted.
Pure artistic this show is like Confessions thought most carefully, but can not beat as already mentioned. The Opening is compared rather lame, then only the wall turns on center stage and presented the queen on her throne. Nice, but not bombastic. It plays back all the registers down: party, wild dancing (with as always fantastic dancers - some can be seen again by the Confessionstour) and emotionally deeper messages. For example, in the video post "Get Stupid", in which she did not just their displeasure with the political situation (at this time, it was still Bush acting president while she hoped Obama's election creates) in the United States known, but also showed Allerweltsprobleme - focused on the race human being, which the own planet ruined itself. She's right with it already ...
What particularly stands out in the Sticky & Sweet Tour Madonna's Fable for experiments on their songs. She tried again and again with new sounds and styles and versions, but their experimental kit for this show, in fact seemed a little deserted. So it shows itself at "Vogue" in a sexy negligee in hip-hop style, highlighted the beats of 4 Minutes ... Interesting mix, and somehow it fits well, but it has the stylish classic Vogue absolutely nothing on his hat, and just this timeless elegance in Vogue I always found extremely fascinating in this song. Unfortunately, this was then, though as I said, interesting. Felix da Housecat had to play with Like a Prayer and painted the soft Church sounds with hard techno beats, which adds in Madonna busts metallic outfit.
Fedde le Grand was then responsible for the sound of "Music", which was underlined with "Put Your Hands Up for Detroid" (Madonna's origin). However heard on the DVD, specially for South American audience, "Put your hands up Argentina". "Hung Up" and "Borderline" were too rocky for my taste ... Madonna should just stick to the pop sound, even if their music are many costumes - but that's the direction it just is not ...
Summa has Sumarum times roughed Passive their greatest classics and showed the audience how it would be possible to Madonna. Personally, I still prefer the classics in their original form, but it gave the concert after all, a little extra kick and was quite interesting and well done.
Fantastic overall performance of all those involved in "La Isla Bonita / Leyla pala Tutte" For this purpose, all the colors of the Mediterranean coast were collected together and shown a fantastic gypsy party. The audience, not only on the DVD has to be enchanted by the raging rhythms, swirling dancers and bright colors in the truest sense of the word. This was inserted into a generally very Latino-heavy section of the show, with "Spanish Lessons", "You must love me" and, of course, also an extra for the audience in Buenos Aires: "Do not cry for me Argentina" - two of their songs from the musical film "Evita" in which she played the Argentine first lady Eva Peron.
The finale of the show, Give It 2 Me, let the party probably come to its climax, even if it then, was entirely in the manner of the great Madonna only with the words "Game Over" on the screen, really over. But in these last few minutes there were Madonna and her dance crew again a big bang and turned the stadium into a bubbling cauldron.
Anyone hoping to take on an artistic masterpiece ala Confessionstour in DVD here, will unfortunately be disappointed. Nevertheless, this DVD recording offers something had to give the artistic in Confessionstour DVD: closeness to the audience. This is the actual word on this DVD - Madonna, the more distanced Queen of Pop approaches again their fans, talking to them, they can make a request concert, followed by a nice chat with the fan which expressed the wish that the audience is more shown, must sing while jumping rope Madonna and her dancers with a Mirko through the ranks is, it is so much more personal than its predecessor. Both versions are wonderful in their own way and show the greatest performer of this music era and again a bit of a different perspective.
