Vivaldi would have produced more than 500 concertos, giving this instrumental form of considerable importance in a wide variety of forms and instruments, including the violin course which is half of that production. Most of these compositions will not be published during his lifetime; His work gradually fall into oblivion after his death, his scores are dispersed throughout Europe before being "rediscovered" shortly before 1930. After the Second World War, the red priest receive attention General, to the point that his famous Four Seasons became the best work recorded repertoire, and probably the most popular. Subsequently, the wave of interest in play on period instruments has naturally seized this seductive music, put a little all the sauces. It is thus remarkable number of very different interpretations of the most famous concertos of Vivaldi. The approach here (as in other albums by the same interpreters) is to rediscover some of these forgotten concertos, generally from the late production of the Venetian composer (although the dating of individual concertos is quite difficult), the composer then deliberately spreading his works in very small circle in order to increase profitability. In recent years, Giuliano Carmignola moved ahead of interpreters of the famous Venetian composer, both for criticism for music lovers, and has already given number of exceptional albums (include if need be he notably signed the version of modern reference to the famous Four Seasons). Again it happily combines the Venice Baroque Orchestra under Andrea Marcon remarkable authority, to make us discover unpublished six concertos. We thus find this bow and this set of baroque instruments full of passion and powerful sound (or striking), in a natural alloy musicality and expressiveness to the striking joint. A less known Vivaldi, probably more mature than usual, but always lively and colorful, in a game full of character and inventiveness. We can not get ...