Condensed strings and electronic beats (more accessible than the last albums)

Admittedly, this is an album with complex rhythms, the instrumentation as usual, a very classic part, the other completely avant-garde and therefore confusing. It's an album that reflects a wound as shown in the cover, Bjork opens his heart as never before, this is the first time I feel I hear really suffer, or I feel anguish " family "and deep sorrow and deep despair in certain securities" black lake ". The album is like a diary, with three titles before separation, and this separation 3 next 3 or other form of hope reborn, ending the album with a very particular piece focused on the future "Quicksand" more on the sadness of this break, this separation because it is not about where a simple separation, but of a deep crack, fracture. As was his custom, Bjork therefore uses many metaphors, but moves the listener through all the phases of a rupture or injury, abandonment, loss mark, treason for her but also his girl ... She accused, but not free, strings and cuts rhythms, retransmit it very well, especially on the track "Black lake" is a masterpiece at all levels and more than 10 minutes pass as if the lasted 3 (rhythm changes and cuts seeming like a beating heart) ... An album that will certainly therefore more accessible melodies in "stonemilker" "lionsong" "notget" but still not in form Bjork has truly developed the standard pop closet ... but this album will can be reconciled some admirers who had "Laches" on "biophilia" "medulla or" volta "... A near masterpiece, certainly complex once again but we can not remain indifferent ...