There is a lot on offer.  Update: Firmware 2.0

There is a lot on offer. Update: Firmware 2.0

Olympus E-M1 OM-D Systemkamera (16 Megapixel, 7,6 cm (3 Zoll) TFT LCD-Display, Full HD, HDR, 5-Achsen Bildstabilisator) inkl. M.Zuiko Digital ED 12-40mm Top Pro Objekitv Kit schwarz (Elektronik)

Customer Review

See video with Amazon.com The Olympus Om D e-M1 in 10 minutes video explanation adequate in my opinion not feasible. Therefore, I use the video to the camera to show only briefly and to give instructions to a few settings. In the comments section you will find a link to additional videos.

Update 27/04/2014: Revised review with firmware 1.3

Update 15/10/2014: Revised review with firmware 2.0

Claim the E-M1

The OM-D E-M1, only hereinafter referred to as "M1", adds the 2012 with the M5 introduced OM-D product line to include a top model. The M5 remains as a means checkout model in the program. Since March is in the lower segment provides the M10. The M1 is the spearhead of Olympus cameras and solves the digital SLR camera E-5 from. An E-7 will no longer appear, this has Olympus made it clear to the roadshows.

The M1 is aimed at the upscale amateur or semi-professional market. This is reflected not only on quite ambitious price. The abundance of features, performance, and the high-ISO capabilities make the M1 a genuine competitor to Nikon D7100 and Canon EOS 70D - to the advantage and to be much more compact lighter. Whether you should include the Sony A7 is questionable because this is already working with a sensor in KB format. This also applies to the similar priced Nikon D610. D7100 and 70D, however, work with APS-C sensors whose power the M1 due to BSI sensor in no way inferior, in some cases even slightly exceed, as illustrate various portals. For the ambitious amateur photographers as well as for professional users are likely to 16 megapixels MFT sensor completely sufficient.
The body is littered with one-touch keys, is dust and splash proof and can be used down to -10 ° C, which further emphasizes the professional claim. Tip: There is a fascinating illustrated book by Martin Wieprecht who tells the journey to Antarctica with an impressive e-M1.

The appearance and operation of the M1

Compared to a DSLR falls the M1, as already the M5, more compact, since it lacks the oscillating mirror of the DSLR. Thus, the back focus is shortened. The smaller MFT sensor of 17,3x13mm (4/3 ") smaller lens diameter than APS-C are a little also necessary to cover the image circle. In order to achieve a good feel of the grip has been greatly elaborated. He seems visually" angepappt "to be, but once in the hand taken this point is quickly forgotten. It fits and feels optimally. The camera fits comfortably in your hand and down to the on-off switch to the main elements of comfort with the right hand be achieved.
Compared to the M5, the M1 has become a bit wider and taller. The sweeping handle was realized only by the battery grip HLD-6 in the M5. The M1 has significantly more function keys. Front next to the lens two who can be blind differ already through your form. There are two buttons on the top left with which you can reach the AF, as well as the shooting modes quickly. As with the M5, there are two turning wheels and two Fn keys, Fn2 is again occupied with several functions which can be selected by the thumbwheel. The special thing about the M1: by a lever next to the new AEL / AFL button to receive a second assignment, the turning wheels and various buttons. Thus, one has to offer a lot more function keys than most professional DSLRs. The new four-way cross now has significantly larger keys and can be operated better than on the M5. Ever all keys are larger and offer better pressure points than the little sister. They also display configurable! The M1 offers an unexpected wealth of configuration options to the camera adapt to their own ideas. There are few function that could not prove it to a key. However, this has the consequence that you have to deal intensively with the M1. It offers such an enormous number of options that it does not help them just to take every few weeks from his pocket and thus to take some pictures. The camera is one day in your hands. You have to explore at leisure and get to know about their potential use.
This can then make in the Setup menu, which can not be the way to operate via touchscreen. Only the so-called Super Control menu - SCP - to German: Live Monitor Control - provides a partial touch operation. However, it is the combination of the two wheels or the four-way cross extremely fast on the road. The search for the right setting, and the sometimes ugly names and meager information which switched itself via Info button and can be blanked, but makes in the early days for some forehead crease. Although the information is already clear and better translated than the M5 (eg color space, rather than space dyeing), but many things are not clear. The 184-page manual is only a rudimentary help here. Although it describes the functions of the menu items, but are not a good information for the purpose. In addition, a cross-reference is chasing the next, among the very clarity suffers. I therefore refer once again to my entry-level video that I linked in the comments.

Screen, viewfinder and connectivity of M1

The resolution with 1.04 MPx TFT display (720x480 resolution RGB), which demonstrates the rejection of OLED, can be folded by 90 ° about 60 ° downwards and upwards. May or flaps swinging for self-portraits all around you do not - do not have to as well: for the cases where you can not watch the display, helping to connect to a smartphone or tablet with Android or iOS operating system is not only the screen contents to transfer but also to be able to take complete control. And if that's not enough, you can control the camera 2.0 wired available with PC or Mac using the software Olympus Capture since FW. The brightness of the TFTs can be adjusted in 14 steps, also the color can be adjusted.
The highlight is undoubtedly the electronic viewfinder (Electronic Viewfinder - EVF). He offers the 100% coverage a very high resolution of 2.44 MPx (RGB 1024x768), and an increase of 1.48 times. Thus, the viewfinder image is even a touch larger than the upper-class DSLR Nikon D800. The diopter can be adjusted from -4 to +2. If the EVF been frowned upon by many mirrors enthusiasts, it is nevertheless that the future requires no mirror and prism. There are also in dark lighting situations no ghosting, no flicker and since FW 2.0, the refresh rate be set to short 16ms. With no optical viewfinder, it is possible to foresee as precisely how the end result will turn out, as with the EVF. White balance, color temperature and, if necessary, used filters can be assessed before making the actual recording. To be the experience of a DSLR in more detail, the viewfinder also automatically adjusts its brightness to the ambient light. An eye sensor automatically switches the EVF when approaching and when removing from again. New and well: If you fold the display, the eye sensor is disabled, so that it no longer even comes to unwanted switching at the M5. That was pretty nervous.
The mentioned connection to the smartphone or tablet is done via WLAN. The connection is made easy by the free software Oi.Share from the AppStore. Simply scan the QR code that appears on the screen of the M1, scan and away you go. Is transmitted depending on the setting a low or high-resolution image. Especially in conjunction with the live function where you can watch the formation of an image which is a huge help. The transfer of the final images does not happen automatically in the background. This needs to be done in retrospect. Wired tethered shooting is possible with Olympus capture on PCs and Macs, and also the focus for Stackings can be manually moved in very small steps.
Also Bluetooth dominates the M1 for data transmission, but this is only with the optional accessory PENPAL. On the M1 fits the entire Olympus MFT Accessories system from Aufstecksuchern, macro light, Mini Flash and microphone jack, as well as it has the "Accessory Port 2" directly on the hot shoe.
Somewhat annoying is to make the cover of the port every time out and back off is.
Younger, also sealed FL-ML2 with guide number 10 (at ISO200) you get to the M1 to. Up to four TTL-groups can be controlled unleashed on them. For there is a wired flash synchro socket on the front of the M1.
Available as an accessory microphone port SEMA-1 requires not caused because the M1 has in addition to the built-in stereo microphones via a 3.5 mm jack. The recording level since the level is now 1.3 firmware in each 21 levels adjustable and there is a level meter - this is only the submenu, but not seen in the actual recording. In addition to the wind noise reduction can now also the automatic limiter are deactivated. This update enhances the video function of the M1 now on significantly.
The typical Olympus USB port and a mini-HDMI port hidden behind the rubber covers on the left side of the camera. On the right side there is a flap which also provides direct access to the SDHC / XC / Eye-Fi card for example if the battery grip or the M1 is mounted on a tripod. Access to the battery (BLN-1) is blocked with tripod use normally.

Functions of M1 (at least a few ...)

Less it would probably list what functions does not have the M1. The offer is so rich that it can confuse and overwhelm some beginning. Therefore my advice: you are looking for more and a single function out and try them out in order to understand the effect. With firmware 2.0 this scope has become even greater once, because the M1 now dominates the automatic shift function (Keystone), color keys and imported with the M10 live Composite.

Let's start with the tools in the recording. The M1 provides an improved 5-axis stabilizer (Image Stabilzer - IS) successfully balances the movements of any kind by up to 3 f-stops. This means that you, without there being a subject for which you can usually a 1 / 250s require more successful with a 1 / 30s to photograph visible blurring. It does not matter whether your movement sideways, forwards or backwards, or to rotate up and down movement was. Problems with double vision, also known as shutter Shock, reported doing user already in the E-P5. It has been demonstrated that this effect may occur under user-specific configurations, which can be explained, moreover, by very simple physical incidents. (Aktio = Reaktio) In the new firmware 1.3, a new feature has been integrated (timing with the value 0,03s), which turned preventing this phenomenon. Nähres refer most relevant Olympus professional forums. I myself have no these effects.
The IS can be limited to horizontal and vertical stabilizer to allow Mitzieher and supports lenses that do not belong to the MFT and FT system. To this are added the focal length just by hand to. A new feature called SI.S. Auto detects the direction of pivoting independently and adjusts the stabilizer accordingly. She has proven to me as the best default.
A digital level, histogram, auxiliary grid and framework be supportive when looking through the viewfinder or on the display. Focus Peaking besides focus magnifier with up to 14-times magnified view of a section facilitates manual focusing on an object.
Those who prefer to use the autofocus can choose from 81 measurement points. Users will have a choice whether all, a group of 9 measuring points to be (6 and 4 on the screen) used or individual focus points. Anyway, as long as the M1 in the contrast AF mode runs. This they are when using FT lenses via an adapter (eg MMF2 or MMF3) in favor of a realized on the sensor phase AF on. Then have a 37 measuring fields. Touch a button to let the measuring points Decrease in your size in both modes. The change between phase and contrast AF is controlled by the M1. The user can not influence this. When the tracking AF is used with continuous shooting, the M1 uses a combination of two measurement methods. Thus, the optimum measurement method is always selected.

The M1 stands RAW files in 12-bit color depth. However, one must see the RAWs the M1 simply as a digital negative for any post, instead of decisively focus. The JPEG engine of Olympus and the possibilities offered by the M1 for the design, are so enormous that it is only very rarely come to develop. Is this still necessary because, for example, the white balance but beside it, one can on the one hand use the Playback menu of the camera to develop and invest there presets or you are the RAWs to the included software Olympus Viewer 3 for PC or Mac to develop further. This piece of software is slow, but has all the features that dominated to develop RAWs the M1. Functions of the TruePic VII processor can therefore be used on the computer. The image can be spent there as a TIFF for further processing. Panoramas are incidentally in principle not put together in-camera. Also serves the Olympus Viewer 3. The results are convincing, however, not quite as it usually. show visible transitions. THe free software Hugin achieved significantly better results.
My point: If you shoot in RAW only uses the rich possibilities of the OM-D only at a fraction.
However, in order to obtain the maximum JPEG quality with the lowest compression, it is necessary to call one of the many sub-menus and settings that can be set in the user menu to adjust. In the exact meaning to switch to the user menu G and there to set the picture quality for one of the four presets on L-SF, which for the lowest level of compression of 1: 2.7 is. This preset can then select in the camera menu 1 under the item quality as L-SF or RAW + L-SF. It is important to get used to this kind of operation.

If you immerse yourself in the JPEG images, which offers a wealth M1 features and options for picture composition and technical improvement. For example, the direct record of HDR images. There are two different potent features that set of four exposures a finished picture together. In the process, only a single, normally exposed RAW and HDR-JPEG is alleridings stored, not the complete bracket. Will you yourself have influence, you may create different bracketing with different EV steps or ISO values, in which all recordings are preserved. Then of course you have to take self-assembling with a third-party software.
There are also flash bracketing, white balance bracketing and even Art Filter series.
The ART-filter have passed since the E-series at Olympus an integral part of each camera. Each model new filters are added. You alienate the captured image and must be configured with the M1 in several stages. They provide the framework and vignettes to the artistic playfulness to be a place to let off steam without having to deal simultaneously with Photoshop and Co.. Each ART-image can of course be called the original RAW image, provided that this storage method was chosen [RAW + L-SF]. With the M1 you can choose between Pop Art, Soft Focus, Pale colors, soft light, monochrome film, Pinhole, Diorama (tilt-shift effect), Cross Process, Tender Sepia, Dramatic effect, paintings and watercolors. With firmware 2.0 more vintage filter and a color key function that has been added. If you use the ART bracketing can be a series with all (selected) can be produced ART filters.
Among the Scene Modes (SCN) there is a highlight: starlight. Here a bracketing of 8 consecutive shots is generated at ISO1600 and then superimposed in order to minimize noise. Stored a normally exposed RAW and JPEG composite. One can, however, take no further effect on this function.

Until now you could choose different presets for the color reproduction such as i-Enhance, Muted, Natural or Vivid. There are in the M1 a custom menu in which a personally customized preset can store. In addition, it is still possible the color of yellow-blue (A) and green-magenta (G) to change the white balance, and saturation, and sharpness to customize your personal preferences.

With the new color designer can be defined in a simple manner hue and saturation. This is done with the two rotating wheels via an on-screen color wheel. One immediately recognizes the effect in the viewfinder or on the LCD.

The M1 dominates as the M5, the selective adjustment of the tone curve, by means of which one can influence shadows and highlights individually. In the M1 a help now also the histogram, which can be displayed by [info] above.

Would you like to create time-lapse movies? Up to 999 images can be recorded automatically in a preset interval of time or number of pictures. Who wants to then create the movie itself can not leave this to the M1. But then limited because only a MJPEG movie at 10 frames / s is used as an output product in HD resolution.

With live BULB and LIVE TIME you could already watch in the M5 the formation of an image. This was in the M1 improved because you can look at this course and also control on a smartphone or tablet now. The monitor can also be darkening the one hand to avoid stray light and also to get a better assessment of the moment, because not always agree Monitor View and finished picture on the M5 in their brightness match. During LIVE BULB lets the recording run for as long as the shutter button is held, offers live TIME Start and Stop by each press of the shutter. The remarkable feature "LiveComposit", with the noise-free long exposures are possible, is included since FW 2.0 now also in the M1. This makes it possible to resist pick a basic exposure limit, only lighter areas of basic exposure be added added in subsequent exposures. The result is noise-free and not overexposed Langzeitaufnhamen which generate eg star trails, or lead to entirely new creative possibilities.

With the Keystone function converging lines can be dirket equalized in the camera.

There's more to discover. I hope to have addressed the key points and new features.

Taking pictures with the M1

The sum of the previously enumerated qualities allows an extremely precise aspiration with the M1, has once you get used to it and configures the particular taste. The learning curve can certainly take some time. Those familiar with PEN or the M5 has made it easier. Who is einsteigt brand foreign safely take longer. It's a bit like with another car: from A to B to get though, as you already mastered driving, all the new features and aspects of cost but a certain time of incorporating.
Then you can but work very effectively and quickly with the M1 and additionally let the creative juices flow.

The fast autofocus seems to know no delay. The change from infinity to the minimum focus distance is the 12-50 and 12-40Pro lens within a split second of equip. The response at moving objects, such as a zukommendes to be car is to be distinguished from a pure DSLR barely.
The use of FT lenses with the AF phase is there already and when more problems. On one hand, my lenses used Zuiko 11-22, 35mm macro and 70-300 all no speed wonder the other hand, there was despite new phase AF technology in some lighting situations such as under a canopy, to pumps and several attempts before the focus was sitting. The behavior was clearly much better than away with pure contrast AF, but the accuracy of m.Zuikos. But this should have been significantly improved with the latest firmware versions and should be requested in the technical forums.

A great help is the again improved 5-axis stabilizer. I already have very steady hands, allowing me relatively slow shutter speed. The M1 passes that I can stay with the necessary exposure time good 3 steps. A small attempt at 25mm (50K) on a sheet of paper with text showed only at 1 / 4s visible traces. 1/8 second still looks perfectly sharp. Of course you have always situational and motivational dependent see, but the aid is clearly noticeable.
The large screen in the viewfinder helps you to compose the picture and the focus Peaking support during manual focus. It can be shown as a black or white outline. To me it would, however, have preferred a color to choose, for example, blue like. Especially in dark areas are neither white nor black clearly visible.
I also had a VF3 viewfinder and took him to a PM2, am now but changed to VF2. For seekers of the M1 are still worlds. You can compare it well as the change from a 27 "HD on a 40" and now a 50 "Full HD TV. However, here also arises the large energy consumption of M1. A battery lasts not very far. Plant man man should be a day trip at least have two more here. This must not necessarily be the originals. The PANTONA BLN-1 replicas are much cheaper and still keep very long, so I have three of them in the photo backpack and then the battery grip exchange HLD-7. remains the original battery as hidden reserve in the M1.

At the end of landing a number of high-quality photographs on the memory card. Although the new M1 sensor to dispense with a antialiasing filter, I can differences in the sharpness in comparison to images M5 and inzw. The M10, which I call my own, only guess, but not make clear. The M1 offers perhaps a touch more clarity, is somewhat cleaner abgsteimmt. The colors of M5 / 10 are kept a bit warmer.
So expect at this point please do not quantum leaps. The differences are minimal. However, in internal processing, the filtering of chromatic aberrations / color fringes has been significantly improved, so that they are no longer recognizable in the JPEG M1. Where the M5 still shows a color fringe in contrasts and edges, can be seen in the M1 a clean contour. This has a positive effect on the overall visual impression, and will save me a step in the post.
The comparison was carried out with a 11-22mm Sigma EX DN 19mm and a Zuiko. In further comparisons and Pixelpeeperei you can go without my opinion. The M1 delivers excellent image quality and you can worry purely concentrate on taking pictures. The JPEGs are most directly useful and a RAW development is only rarely necessary.

My tip: turn on the user menu E noise reduction on low or off. This leaves the JPEGs look much crisper. The small more image noise can be tolerated or even remove afterwards easily.
The "warm colors" for the auto white balance I turn off personally. Surely a matter of taste - to me are true-color JPEGs prefer. Do I want a particular look, I use the color mode and the color designers. On the other hand, one should anyway work in true color images with a previously executed white balance and correct per gray card in the wake if necessary.

Films with the M1

Although video images are not the domain of Olympus MFT camera because Panasonic has with its GH-models the pants on, yet offers the M1 a number of good opportunities and the results are adequate for the average claim. Nevertheless, the M1 is primarily a photo and no film camera. A better and sharper picture quality provide the current Panasonic models.
FullHD and HD recordings can with a maximum of 30 frames / s and MPEG-4 / H.264 ACVC be banned in two compression levels for each a maximum of 29 minutes for the memory card. Even the outdated Motion JPEG (MJPEG) continues for HD and VGA recording with a maximum file size of 2GB available. How far can you get with it is very dependent on the motive. A slight noise is heard in every recording with the internal microphone. To get around this, you could connect to the 3.5 mm jack a suitable external stereo microphone, unfortunately rushes this connection a little.
The recording sensitivity can be customized in great detail in each 21 steps since the firmware 1.3. The wind noise reduction can be used in the steps Stark - be chosen as well as little - Standard. The limiter can be turned off now. The settings, as well as the detailed level meter located in the user menu I, recording volume, Line In / Internal / External. External designates the accessory SEMA-1 for AP2 port. The level display is not visible during filming.
All other functions, such as aperture, shutter speed, manual mode, even films with ART-filter and the inlet or fade in and out of these is possible. Likewise, the manual focus can be used just as a one-time or continuous focusing, or tracking by tracking AF. White balance and ISO value are also a available.
One point that conjures me a question mark over his head: Who bought the 12-50mm lens with motorized zoom, this can easily be a uniform Zoom run on directional pad of the camera. Then consider the D-pad in the user menu B - key function - prove direct function accordingly. Unfortunately, these same keys are configured differently in the film mode and starts to movie recording from another mode out (eg P, A, S, M) has no function. Thus, it uses a nothing and are accessed again to the ring of the lens.

The battery grip

Who may call in the HLD-7 battery grip achieved with pickled second battery not only a significantly higher duration, but also gets two additional function keys, as well as once again donated the rotary wheel and the shutter for use in portrait mode. The handle is designed very ergonomic, but also increases the weight and volume of the M1. Proud 730 grams incl. Two batteries brings the M1 including HLD-7 on the scale. On the other hand: a Nikon D7100 weighs 765 grams with battery - without battery grip! I believe the HLD-7 on the M1 for a useful accessory, because it improves the handling enormously and the only way is to connect an external power supply.

The 12-40 per lens

In short, the best lens I have ever had. Scharf to the edges, even at f / 2.8. They vignetting at f / 2.8 something, but that's already been no longer exists a panel. The lenses 14-42 and 12-50 vastly superior and worth every euro. Eben "Pro". Who can, they should treat themselves necessarily.

My personal conclusion:

I have taken the step from a M5 on the M1. The evolution is noticeable and succeeded and I feel on the M1 well. Significantly more comfortable than my purchase of a Panasonic G3 on the M5.
Positives: Olympus has shown that they respond to legitimate inputs of your buyer and implement them in new firmware versions! Hence my recommendation need to update to firmware 2.0!
Necessary the way to the M1 is from the viewpoint of image quality certainly not have been! Since the M5 and M10 also have enough to offer.
As for ergonomics, effectiveness and benefits, raising the bar for their DSLR counterparts puts the M1 very high as the flagship. Only one swiveling and rotating display would have the final lucky can still serve.

For the purchase of M1 speaks the huge selection of outstanding MFT lenses, as well as the possibility to continue to use all FT lenses natively. The market's some great lenses also produces here. For the owner of an FT lens parks whether you have to wait for an E-7 or go to the competition has been resolved.

The camera is very sturdy and its main figures from splashing water and dust, and the usable temperature range underline the professional requirement.
The EVF is also likely to die-hard fans of mirrors wrest amazement. A larger viewfinder image you get is currently in any case only in the medium or large format.
The great hunger for energy is a much more of a problem, which one can oppose only with battery packs.

The image quality plays in the league ambitious DSLRs. The functions of the M1 exceed them. For the same money you can of course a Sony A7 buy with KB-sensor, but because the range of lenses is currently limited, none of which, under 799 - Euro is to get. In addition, this offers neither a touchscreen nor the high continuous shooting let alone the rich features of M1.
The view to Canon 6D and Nikon D610 is unnecessary, it reflects on the volume and weight.

The questions that everyone should decide for themselves if it is interested in a M1:
- Rich 4600x3450 pixels
- One is willing to make friends with a sensor of only 17,3x13mm

Der Tiefenschärfebereich beim mFT Format ist nun mal anders in der Handhabung, als es mit dem KB-Format der Fall ist. Wobei ich hier anmerken möchte, dass es überhaupt kein Problem darstellt mit dem 60mm m.Zuiko Makro auf nur einen halben Millimeter zu fokussieren, oder mit dem 45mm f1.8 Portraits-Objektiv ein Auge allein aus einem Gesicht heraus zu stellen und dabei ein butterweiches Bokeh zu zaubern.
Nirgendwo sonst bekommen Sie ein kompakteres und dabei so günstiges Supertelezoom von 150-600mm KB-Brennweite, welches auch noch mit ausgesprochen scharfen Resultaten aufwarten kann. Die Lücken im mFT Markt schließen sich zusehends und derzeit können Sie aus 42 Olympus und Panasonic, sowie 18 Dritthersteller-Objektiven wählen.

Für den ambitionierten Videoeinsatz ist die M1 nicht so gut gerüstet, wie die Konkurrenz von Panasonic, doch für einen kleinen Dreh zwischendurch um zB die Atmosphäre einzufangen, bietet die M1 genügend Leistung. Der Mikrofoneingang ist ein gern gesehener Pluspunkt.

Eines kann ich jedenfalls klar sagen, den Kauf bereut habe ich nicht! Für mich ist das mFT System die optimale Lösung aus Größe, Gewicht und Leistung.

Mit der FW 2.0 wurde die M1 nun so weit verbessert und der Preis gesenkt, dass ich meine Wertung von 4 auf 5 Sterne anhebe. Live Composite, Tethering, Keystone, Color-Key ... alles Dinge, die das Paket nun endgültig zum fairen Preis abrunden.

A rocket Rank: 5/5
February 4
As always excellent Rank: 5/5
December 25
Saab cradle Rank: 4/5
October 10
band 1 Rank: 5/5
January 30

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