Pisendel Johann Georg (1689-1755) was considered the most virtuoso violinist of the first third of the eighteenth century. He was Kappelmeister at the Dresden court. Discography for is most hungry. Glory be to the Red Priest for having dedicated several concertos, proof of the esteem in which this German composer had ignored today by his contemporaries ... Vivaldi or Albinoni: they bear the inscription "fatte p. Mr. Pisendel ". The originals are in the Landesbibliothek Dresden. The Naïve releases vion concertos by Antonio Vivaldi are followed and do not resemble. After Volumes 1 and 2 terribly disappointing (respectively assigned to the solo violin Enrico Onofri and Anton Steck), the label has caught in his Opus 3 and 4. This fifth opus, told the Russian violinist Dmitry Sinkovsky, reveals one of the most successful of the series and bears comparison with Giuliano Carmignola which, since 1992, offers superlative interpretations of the violin concertos of Prete Rosso. Therefore welcome the feat of the Russian violinist who dominates each of these concertos with prodigious mastery that combines Instrumental virtuosity and extreme emotion to the point that one can not forbid to say that all this music flow naturally: colors are superb The chiseled features. Everything is played in a "fair" measure: no agitation for agitation, unnecessary and hysterical, no neat and neutral interpretation. Screws and slow movements reserve beautiful sound combinations alternating clear oppositions between soloist and orchestra. To this is added a superlative miking. Difficult for both the newcomer to the Vivaldian not to be swept up in the whirlwind of colors and contrasts.