Exodus never disappoint .--

Rarely a comeback was as profitable as that EXODUS in 2004 with the spectacular sensation Tempo Of The Damned catapulted back to the top of thrash metal, to those peak position where they were not indispensable since Bonded By Blood and. Gary Holt and men have been used both to preserve, as well as on the stages of the planet a constant, as one might expect from a band of their age is not necessarily how they had a long-established Bay Area Thrash child most desirable in the wildest dreams. Nothing but absolutely nothing can stop those steamroller that was unleashed three years ago, but the breakwater EXODUS takes still longer ride on, and sets with The Atrocity A ExhibitionExhibit his two great predecessors, this movement even go one better. No lineup changes can stop this machine, but I dare say that the current line-up with front livestock Rob Dukes on vocals, the on trading of Rifforgiasten not at top end Eliteduo Holt / Altus on the axes, as well as Jack Gibson on bass and the Returned and in top form acting Tom Hunting on spanking table, even by representing the most powerful weapon for years.

Wrapped by Andy Sneap in usual perfect dress offers The Atrocity ExhibitionExhibit A newly everything, but certainly everything the quality-conscious Banger needs to get through the winter without any problems. Nine times EXODUS pure stands on the program. Fats rhythm cannons, elegant tempo changes, great solos and massive ass horny, always rousing varied riff attacks, as they can only come from this legend and how it especially since the entry of Lee Altus, probably the most congenial partner of Gary Holt, could hardly be great , That on trends and breakthrough innovations in home EXODUS will continue to dispense, goes without saying. It is the domain of the archetypal Bay Area Thrash and nothing but the Thrash of the Bay Area it is that one wants to hear about this size. What are we to philosophize here for a long time about a renewed usually work. The calibrated Metalhead arrested a new EXODUS album eh blindly know that you can rely on its long-term effect. So who is not already made the pilgrimage to the dealer his Vertrauern to feast on the new exploit of the Bay Area quintet, which was strongly said that this time also represented a perfect blend of compact ass-kicking thrash groove attacks and escalating Miniepen variety neck hemorrhage is. Outstanding are in addition to the brutal opening double or schmackigen Groove Monster \ "As It Was, As It Soon Shall Be without question the infernal monumental title track, the monstrous Funeral Hymn, the like of Lee Altus in finest HEATHEN style created Children Of A Worthless God ( first with clearly sung chorus a masterpiece!) and the final blackjacks Bedlam 123. All have long numbers full of great ideas, full of adrenaline, littered with god-like riffs and nothing else as long Thrash strokes of genius that will not lose their effect in a hundred years. EXODUS are stronger than ever, front lump Rob Dukes established itself despite all his hard-corigen attitude finally be the perfect vocalist, the first team is the best in decades and criticisms you look at this not surprising, but usual genius and totally timeless thrash genius completely in vain.

Every other word is unnecessary: ​​Everything will be fine!