Fabulous: proof that music has no borders

When Gil Evans offers to Miles Davis, his musical sidekick, to record an album on Spanish themes, taken either as modern work of Aranjuez concerto or classical Manuel de Falla, he probably will certainly not the strength of the result.

Miles Davis say that to get the best out of this music, it just got into the skin of a traditional Spanish, between flamenco, bullfights and processions.

It's amazing to think that Miles Davis was born in Illinois in the average American black bourgeoisie in the 1920s, could as easily take the gray suit Iberian hero like these works included the.

Aranjuez concerto originally for guitar and orchestra, takes on another dimension with the horn of the friend Miles.

The disc starts with that feat and never ceases to amaze us, until the apotheosis that represents 'Solea' the best of the flamenco reviewed by Gil Evans, also not really Andalusian culture, sound représentatoin a procession as the only the devout Catholic Spain knows give us.

Better than a Hemingway novel, this drive takes us to Spain, with all its tragic elements, while remaining what he is initially: a jazz album.