This thoroughly dystopian soundtrack is a stroke of genius beyond compare! Dark, threatening, abysmally pessimistic and bitter. In between there are indeed tiny, little ray of hope, as the short sunrays warming pour into his ear, but in the end is the realization: Here no one comes out without permanent damage! Trent Reznor and Atticus Ross create here soundscapes, the exact kehlezuschnürenden terror in the novel pack a monochrome dithering music that one expects of any better Suizidgefährdetem. Bittersweet piano melodies, worn, heavy, slow and sometimes oblique, Moll where you can hear. Times violently, sometimes quietly and full of injured reserve. Essential string pads that weigh us in uncertain melancholy. With the group Nine Inch Nails Reznor has been around for years remarkably broken and touching - sad, created serious music. Here, however, the master is demonstrating its true format and how exhausting - euphonious the trips to the civilizational lowlands of the beast can be human. A decaying aesthetic pleasure beyond compare, multifaceted, detailverspielt, atmospheric and creative. The brilliant David Fincher is in a congenial composer Trent Reznor, of adequately accompanies the nightmarish visions of his films. So take the viewer the images with a force that produces naked fear. Coupled with the impressive novels of Stieg Larsson is entered here a world of horror, as relistischer and repulsive can not be. Karl beetle wrote it: Here musical break new ground. Like I know only of Dead Can Dance or In The Nursery. Brutal nice and not for the faint of heart or weak contemporaries! A single literary, cinematic and musical horror trip, a nasty kick in the naive butt, that shows us how ruthless can be the man. Listen unbending!
