Endowed with equal two "birthday edition" ECM Keith Jarrett seventieth, with this one and appeared on ECM New Series release of two in the mid-1980s, rehearsed piano concertos by Samuel Barber and Béla Bartók. The latter I find the more interesting; but more attention will probably see "Creation" because it shows the improvising artists as the most know him and as he, however one also is to him an anomaly is. "Creation" is a later in Studio by the master himself compiled "Anthology" more important to him snapshots of several recorded in 2014 live concerts, and what came out of it, could be described as a call "portrait of the artist as an old (Direction) romantics": Jarrett has With the exception of the rather brittle, strictly chordal ahead groping start focusing here only on the more lyrical moments of this concert, where his improvisatory searching movements become so compacted that the result looks "almost" through-composed. The listening experience is somewhat tarnished in places once again with its notorious "Mitgestöhne". Who deaf ear about it is willing to remain, as a result of some, yes, but, heavenly nice sounding "places", an indulgent playing with timbre and intensity produced amazingly, in the large concert hall, reminiscent of The Melody At Night, With You " the most intimate moments probably not the (logically hidden) apply public, but the artist and his (probably not always beloved) instrument. The second "birthday release" with the two piano concertos includes as a bonus, the addition of a live concert of Keith Jarrett in Tokyo, writes about the Jarrett in the booklet, he finds it "extremely beautiful", even though it would be disproportionate to Bartok. Very beautiful she is, in fact, but that Jarrett on an equal footing with the addition of improvisation on the cover as a composer in addition to Barber and Bartók can call, then maybe a bit too much honor.