The S. is a good special belt for sportsmen (hikers, cyclists, skiers, tourists to stroll, ...), but is not necessarily suitable for everyone. Its features include the relocation of the camera weight off the throat / neck on a "plate" between the shoulder blades and the good fixation of the camera at four points in front of the body. This even hours of hiking, etc. with camera no problem fixing even allows climbing or the tying of shoes: the camera is (almost) never in the way. The price for this is, however, a (moderate) limited range of action. In (with clips on the harness) Fixed Camera Set the straps determines how far up (less: below) the camera can be moved. Will you frequently overhead shots (rock concert, ...) are making the straps "long" set, which means that the camera hangs in the rest position on belt height (or lower). Should they rest on abdominal height, the straps should be shortened (go easy), but then are overhead shots is no longer possible without removing the camera from the clips (can be done easily). The same applies to recordings of the knee or below. Without compromise, it therefore does not work, you have to know. For athletes, the fixation and favorable load distribution in the main should be; for unusual shooting positions simply solves one or two clips. For example, reporter, studio photographer or macro shots of the belt is less favorable. Other: processing is fine, the materials also; However, the metal parts are by oxidation quickly unsightly, here a high-quality plastic would be better. Also a solution for projecting strap portions would be nice (not - as recommended by the supplier - cut when the belt should be worn over a winter jacket!); Camera loops would be a bit longer, they could put together (without the rest of the dishes) serve as a handle, which is currently limited. Conclusion: for athletes broader sense for me simply the best belt with easy optimization potential; for other purposes other solutions could be more flexible.
