"Hells Bells" is equal to the first great classic. Gloomy chimes sounded four times in succession, before Angus Young plays his guitar rhythm and Phil Rudd on drums with his hi-hat beats does a great job, before he linked to another ten seconds bass drum beats in this dark profession. "Hells Bells" is - played in (almost) every concert - with very few exceptions.
"Shoot to Thrill" is a brute, guitar technically quite brisk song, which prompts you to sing along. Otherwise kept quite simple, vocally sets Johnson this second Classic the crown. Great!
With "What do you do for Money Honey" is waiting for another catchy track. Geradlinieg goes this tour de force, straight in midtempo held forward. Sometimes something filigree acting but strong, powerful.
"Let me put my love into you" is then comparatively weaker but still strong enough to stuff more sublime pieces from previous albums in the bag.
No classic, but quite good.
"Back in Black" then provides the coarse Hard Rock Hammer. To my knowledge, plays Angus Young the Mainriff "Powerchordtechnisch" in a harsh manner, between Phil Rudd adds his Schlagzeuggefilde. Massive cost!
With "You Shook Me All Night Long", the next very herauskristallisierende classic is held ready. Pretty simple knitted structuring this hard rock epic, yet enthralling and krafvoll. Live unfolds this song its full effect, in the Studio version you go in my eyes tamed to work. Nevertheless, this track is absolutely ground covering and transparent.
"Have a drink on me" ties, you listen immediately banned the heavyweight guitars of Young Brothers. Asks in the chorus to sing along, overall I consider this tour de force as a compressed version vorangegegangener songs (and albums).
"Shake a Leg" acts like a board-like symbiosis that seems to live at the beginning only of Phil Rudd's drum play before fit wonderfully after a few seconds and guitar and vocals in this slightly shallow acting profession.
With "Rock and Roll is not Noise Pollution" ventured as intro back to blues roots, probably a (successful) throwback to the congenial "Powerage" before the fattest AC / DC riff throughout the history begins. The chorus looks rather out of place and would fit well on "For Those About to Rock (We Salute You)". In spite of a very successful completion of the eternal circle.
Meanwhile, "Back in Black" was reissued in even more dynamic sound robe and additional, detailed booklet with background information that was not yet even known to me as eingefleischtem fan.
Conclusion: The final international breakthrough ...