Already transcription seems much more faithful to the original than that of Jean Guillou, lost in the plethora of Saint Eustache console, and sometimes bordered on the wrong kind for both registrations that phrasing.
In this recording made in April 2008 at the Church of St. Nicolas of Kiel, the Kleuker possess suitable resources (except perhaps at the beginning of Bydlo but return a tuba is already well beyond the resources provided for this instrument 48 games), phrasing and very credible prospects ...
Only relative disappointment: Ballet chicks, too little audible, requiring a velocity that is here embedded in the reverb. As for the Holst disk, the sound is a bit too far and aura to allow a clear perception of fast passages and nuanced as the market of Limoges.
Furthermore: tact, discernment, choice of tempos expansive but fair, sign a credible witness and taste very good.
Even more successful, "Island of the Dead", the dishes to dismal, dark colors and subtly degraded, the dynamic pale, find a suitable voice in the organ pipes, especially the keyboard Schwellwerk with case expressive find all the potions of the moving orchestration of Rachmaninoff.
However relative disappointment of "Petrouchka": Russian Dance performed too weakly lack of brio, the picturesque procession of the table of the fat Week lacks rhythmic firmness ... For this work, I left the version of Peter on Pincemaille the old organ of Studio 104 Radio-France, despite its too dry acoustics but for the benefit of incredible precision and diction palette.