Human affairs

We can limit this work to the study dune particular injustice: this is good ViaMichelin Legal denounced by the institution which is in its perfect mismatch human realities.
Institution as soon as lon seriously considering its implementation turns out to be essentially, through those who are the instrument, a grinding machine blind and ineffective propagator all its palpable injustice dune levels, disastrous social effects.
This is through the study of its depth four main characters and their motivations, Jakob Wasserman actually demonstration; the adventures of "Laffaire", which will be gradually revealed to us, finally remaining side, almost subsidiary.
So it is not there that the mystery but more in lextraordinaire tendency of human beings to sillusionner; sil sagissait as the essential part of what both unites and differentiates them.
"A fiction with which it was resolved to live is a tyrant who refuses to see and hear."
Thus, in this pertinent remark of Baron Wolf dAndergast, which constantly bounces in the course of the narrative; itself seeming unable to understand how it affects them directly, precisely he who symbolizes all the blind power of "an institution which had no more than a sham existence; output dusty pandects, she survived only in effect in the minds of a few men who shot the concepts of artificial formulas with which they have contracted a symbiosis of ghosts. "
But facing laveuglement judge responds, mirrored the fictional world of the accused Leonardo Maurizius, too indifferent to the real world and encased in its pseudo-romantic universe to be capable of the least discerning the motivations of those who surround it.
Another key figure, Gregory Waremme, trapped in the denial of its own identity and reduced to ruin his talent and intelligence into actions of "deus machina" junk, pulling her sad glory of his manipulation of power over others.
But there was also, fortunately, but the frail figure of the young volunteer Etzel dAndergast that illuminates the story of his righteousness and his sensitive intelligence without ever sillusionner about himself: "It has not the soul quite simple, he said gravely; it would have to even more; it looks like a too finely sharpened pencil whose tip breaks when we begin to write. "
Regrettably against by the interesting portraits of women, bearing in highly differentiated characters, have just been initiated and therefore leave us somewhat unsatisfied.
We can forget to put all this in the historical context of the late '20s in Germany: in fact this book appear on lists of books that the Nazis désignèrent to burn as a priority, five years after its release in 1928.
It wasnt so already issue of dealing with human problems.