Whereas for many years "Ëmëhntëhtt Re" is finally audible to our ears. Even before its official commercial release and I had the privilege of discovering the same day the new album and a concert mémorable.Emehntett Re is now the point of incandescence of any musical work Magma and Christian Vander. Upon first listen we have a sound that is one of the legendary Magma. This first musical fresco has three well-known themes that have been reworked and embellished. The second part is really new and perfectly organized with the familiar themes. The whole work shows great cohesion that was not as evident in the previous work "KA". This prolongs the famous fresco "Kontarkosz" which is magnified here by the beauty and implementation of voice extremely soignée.Mais what is striking is the extreme complexity of the rhythms. Vander is known for how quickly the battery curly but it is above all one who lives and acts against time. All his music is syncopated rhythmic structure to the extreme that makes it immediately fascinating. Vander him this ability not to play music but in his words first "to enter into music" and offer the listener a little time is attentive a living music. The listener is then in a particularly receptive higher vibrational state. Coltrane had that musical approach when projected into his saxophone his cry of suffering and love. Re Ëmëhntëhtt reached in the "Zombies" theme and the second part of the work an extraordinary wave power as a "Scythian Suite" by Prokofiev. There is undeniably an osmosis between the musicians. In conclusion I insist here on the care taken in the development of voice that make "Emehnthett Re" a musical work as powerful as majestic. Once again thank you to Christian Vander. A life, death and beyond.
