I am quite amazed that this in itself so consistent and honest album often goes down well. I have heard through most of Marius' albums over time, but could not see that reaches as both the musical and the lyrical quality of this board none. Here you will find its most beautiful ballads (sprint, Paula, Franz Stumpf), well elaborate big band and orchestral arrangements, content-rich, often critical lyrics and rousing uptempo numbers (36, I go mostly in red, I got you so terribly fond ). I like to serve the positive aura of the music and that it is sometimes quite far away from the other at Westlife as usual blues and rock'n'roll clichés that as a vehicle for his with age always makes poorer him and indiscriminate cobbled together text constructs. The many vocal expression of Marius' voice come here to fully develop. Particularly impressive, I find him back in the funky "I'm going mostly on red" between a chanson stick sound, scat singing and shouting and herpendelt and casually settles in the song middle in a unison duet with a brilliant guitar solo. The sounds however, by great art. "Bittersweet" is my tip when someone searches musicality to the very essence of Marius Müller-Westernhagen's.