Therefore music I rate alone reluctant because tastes differ and reviews are often rated as unhelpful, only if the reader has a different opinion. Here I do it but me, because after all have something to amaze me the partly negative reviews. A Vorrezensent wrote the already good in polarizing: Who expects Dire Straits music is wrong here. Mark Knopfler has evolved and presents here again a stylistically different album, which tend as the previous more towards folk and country. The nice thing is that somehow everything sounds different, although typically identified by Knopfler slightly grumpy, yet dry comedic voice. To describe the hard, you do not have the impression of singing there bored to himself, but it's just not as upbeat and impulsive as it was still the case with Dire Straits. It rather seems as if he tell a story from the life as it was the case with private herring and Get Lucky. Get Lucky was there something surprises me, now I got used to it. Sure, not everything is excellent, which is also on the handset, because the many styles require a but a certain flexibility from. For me it is so that I do not review each piece individually and a composer and here Knopfler meets at least for me the right tone.
What's impressed me that Mark Knopfler makes his music and not music to psychoacoustic aspects to catapult this quasi marketing strategy in the charts. He has, like some others, simply do not need. Any artist, Chris Rea was there I think, once said: He makes music for the masses, so that he make money, but in itself it likes jazz and completely different music. That is certainly an understandable point of view, but according to this motto Knopfler not produced precisely. Also may expect no assonance.
Overall, as long as you like Mark Knopfler's music, a recommended album that sounds again different from the other. Whether better or worse, please everyone can judge for themselves, there are plenty of ways to Play.