Music for eternity and other free thoughts on "The Weight of Your Love"

Bin neither die-hard fan of the editor nor other musical greats -I hear just like music, so perhaps a bit silly-looking titles of these lines. Also I do not want to hochschwurbeln artful music journalism my thoughts. I just try to keep my hearing feeling -absolute describe subjectively.

After I had read the Release (erwartungsarm yoy. Novelty of the editor), I ordered a few months later but the double vinyl version of the album to make it then to forget once involuntarily on the shelf. The variety of genres across good and very good Publications in 2012 and 2013, had me try to at the Rival Sons, Deerhunter, Bosnian Rainbows, Kvelertak, Bibio, Balthazar, The Union, Neil Young, Kinny, Andreya Triana, Junip, Black Keys and again Nick Cave linger and let indulge in diverse Gefühlsaufwallungen. The Editors forgotten.

Gradually, I came from the Jubilee Street, rummaged through the collection, discovered the still sealed "The Weight of Your Love" and has been fixed curious what the guys have brought about.

After the 1st round on the turntable I had only once to process the force, precision and deep bass recording. What a sound! Nix to hear with Loudness War -nix of higher gepegelten Quiet passages, nothing with a compressed dynamic. Here the music gets the space it requires in order to be effective. That was pretty awesome and made me want another round.

Especially since I immediately came to mind, I wanted to hear at once -except the fascination of SOUNDS. The wonderfully catchy and, I think, the times enduring hooks the string of "What is this Thing Called Love" and the outstanding Howler "Nothing". The wonderful, schraulende by Dan Auerbach guitar at the opening of "Hyena" and in turn backed by wonderful strings "Honesty" had it done to me. In this order.

So get up and republish the disc. So where was the piece still the same ... oh, I do it simply again from the beginning ... and then again and again and again and again ... After countless rounds of all four sides of the album beat me late at night tiredness ,

Overall, I had about eight hours failed to replace the editor by other music. The hypnotic power of music and singing has compelled me over and over again, my hearing center to operate with certain sounds and melodies: pure magic!

I could go on forever flutes, it is then but annoying, so here is my conclusion:
From my perspective, it currently sees no other (I know) band, such an allure for people with a musical penchant for "big package" (many believe "bombast" was the more appropriate word?) Exercise. Although sometimes scratched the border to Sweetish or seems out of me now and then crossed times, the game of the band or the next line of text all starts again and bring the song back on the track of great songwriting.

It huddle parallels with Coldplay on: big melodies that 2000 he incomparable and unique made the debut "Parachutes", are celebrating joyful resurrection. Not that the editor had stolen to No, do not understand God's sake, wrong! It's about the pure sensation I had when I had the first time Coldplay belongs Jahrhunderalbum (it was estimated 80 weeks incessantly on the turntable) to me. Beguiling melodies, small, fine detail, wonderful licks and hooks enchanted me always anew. It was simply one of the best 10 records in my life.

This association I had in 2005 when editor debut, "The Back Room" is not, even though I was excited by the slice, the casual Forgot made my opinion, "X & Y" by Coldplay. What I want to express is: if "Parachutes" is the milestone that Coldplay has placed in the music, which is equivalent of the editor certainly "The Weight of Your Love". No more and no less. And just for me, mind you!

After re-reading this article now looks somehow the question of honesty: I'm really not a big or even die-hard fan of the editor? Quick launched the second page and pressed to the answer ... "I'm out of it!" ...