Next stop ... # 100 ...

Boarding schools and secluded regions are the basic material for a good horror entertainment or? And if you're already so so submitted with the previous radio play when it comes to stress, creepy feel and pace, then you should but also so maintained in the second part of a two-parter or?

Unlike many of the two dividers good spirits hunter, which in the past too often in the end fell off without really acting consistently satisfactory, the last breathing exercise can sit back high calm before hurricane of great 100. Both parts complement each other and act harmoniously in its implementation as a unified whole.

Boredom One looks in despair, because if one wants to look for peas, because the seventy minutes of playing time formally lawn past a and the events come thick and sometimes quite violent, especially when the end of the whole approaches.

Horror, action, good speakers, an atmospheric implementation and a feeling for the little things make the background that no longer really new Sinclair's team of Ehrhardt. Although one often pushes the whole thing under the circumstance, it would attempt a feeling as to the recording studio to produce Braun times, so I can not really notice. Just because you put more emphasis on horror instead explosions, that's not considered a negative point subjective.

To some calling names is to operate now again mentioned that the for me now too old sounding Frank Glaubrecht that perfect though often maligned narrator Alexandra Lange, Martin May, the acoustic Unsympathin in perfect pitch Ursula victory, Peter Weis, neo- do not let anyone get the bread from Rhodan Torben Liebrecht, Philip Schepmann, Klaus sunshine and only briefly occurring Bernd Vollbrecht, when it comes to their ancestral characters in Sinclairversum.

That's it, next stop is the 100 and its much-heralded changes ...