The hinterland of their native Manchester has Julie Campbell in mind, on her long-awaited second album, after the 2010s post-punk feast with stylish British Appeal 'Nerve Up'. The minimum and strong rhythm-based indie rock post-punk blend Campbell learns to 'hinterland' a very successful and warm-feeling enlargement, however, without full, no less reduced and to be minimal. Staccato tactics and rhythm structures make still from the simplicity of the sounds of LoneLady, although here well-tempered synth tracks, bass lines and digital percussion exude a post-indutriellen charm, to Detroit 70s radio as the also the in quasi the former automotive metropolis born stoic minimal techno refers.
Was right there is no accident, produced in the Keyclub Recording Studios, in the industrial zone of Michigan, 'hinterland'. Seventy-synth consoles of the legendary Sly & The Family Stone standing there, according to the promoters still around. The opener after judging, probably one or the other bass. Post-Industrial pop appeal that breathes the hinterlands of Detroit and Manchester, the formula might be for LoneLadys second album. The fuel-efficient, but effective soundscapes Julie Campbell actually something post-industrial; somehow this music is amazingly profound, although it is very simple, although they, intentionally, does not require heavy equipment, it can in the final product to act just like thickly applied Rock Sound full apparatus machinations.
The two pre-singles, 'Groove It Out' and 'Bunkerpop', Mark managed the territory, supple beat-heavy guitar picking here, synths of Joy Division era that hit a radio sparks sprayed guitar there. Mingled with Andächtigkeiten ('Flee!'), On which Campbell's voice is prefixing the rhythm dominance, prevails yet again the Groove, the funky guitar picking, the driving beat of 'hinterland' ('silvering', 'Red Scrap'). Even moments when it almost drifts in rock funkiness of early Red Hot Chili Peppers, as on the title track as are skillfully with sublime strings and a thumping beat poles oppositely.
Just like the debut music Julie Campbell grows with every auditory canal. At the same time calmly, but his irresistibly engaging is a fine art. The discreet charm of LoneLady accordingly, also the formidable sophomore Campbell will probably grooving a little under the radar of Popbeobachtung. Nevertheless, the 'Nerve Up' successor is an adorable post-punk gem productive Couleur, lonely and far, hilly and warm.
MQ