Vernacular music is thanks to the selfless care of the brood of Three Continents, Gutfeeling, South Pole and, indeed, already announced the boys and girls from the Milla some time powerful, must Listen-large to be so no longer. The appeal of the present fifteen pieces is mainly in the sad beauty, almost all sounds veiled until dark booze, solitude, death, hardly rescue in sight, the soul tormented and even the smallest pleasures act at the end of stale and poisoned (When I then). When Horn recalls the blackest (and deep brown in this case) chapter of recent history in Heiglkopfan, crawls a cold shiver neck upwards, otherwise it is with the listener in the ballad of the beautiful and blasshäutigen gypsy Falak.
The instrumentation remains restrained and classical, tenor horn, trumpet, piano and guitar, percussion makes only noticeable when it times briefly uphill with the mood (1,2,3, Hollerkiacherl, Gemma Hoam) or a wild dance with the Devil pending (Deifedanz). Not the falsest because even if Baumann who dies earlier, inter alia ,, Robber Kneissl and summer has already three Rosenmüller heavyweights successfully taught dancing in Orange, Three Quarter are blood loss and deliberation to shame. And even if this country unlike in this respect significantly more relaxed America rather even touches the idea of folklore with his fingertips and mostly misunderstands as volkstümelnde corruption overdrawn Tradition: If alternative traditional customs sounds like you would like them more. mapambulo: blog
