Now in Schumann, the epitome of musical Romanticism, the literary-musical
Dreamers his muses, rich such deliberate pianistic-tangible strategies
as serious as they may be, are not enough.
If the game the visionary-free, schwämerische attitude, creative vehemence
just lacks romantic exuberance, it is not replaced by sophisticated
pianistic detail and interpretive willful do differently (tempos).
A willful, but by no means conclusive interestingness not replace a
essential romantic Fury. The Passionate missing.
Then it all sounds somehow calculated, made and not felt musically.
Stadtfeld Schumann works at best endeavors intellectually, unlike others, but unfortunately only
to make idiosyncratic without accredit the scenes described by Schumann and
animates the rhapsodic-flowing as Dreamy his concert by sound
sounded to a Affetuoso swing.
Although I Stadtfeld's individuality next Andren streamlined-parlierenden pianist
guess here limited his concept be playful design assets.
Robert Schumann Scenes from Childhood Waldszenen Papillons Three Romances
Piano Concerts / Child Scenes
Lipatti Plays Grieg & Schumann