Sounds make music, the percussion works overtime, the stranger is spreading

Hard to get into the pear that the same man who "Coma" and has "Planet of the Apes" contrived, is also responsible for Dünnpfiff as "Criminal Law" or "Mr. Baseball" responsible. Even if the sequel "Escape ..." on this CD really does not need the original conductor film is a great experience if you do not depend on issues that buzzes the postman. A trained to Bartok score, but goes on, very percussive, with strange instruments (the Krummhorn in "The Hunt") enriched, strange monkey effects and virtually no electronics, nibbling at the mouthpiece, and in a sound quality (and an excellent, exciting mix), which leaves nothing to be desired, as long as the recording year one is aware. No cue alike. I remember, as I said as a child while watching the movie with my father on the couch: "Say, the music is not sort of funny?" He just shrugged his shoulders. "What music?" Well, that is certainly the most modern Goldsmith, I know (we add yet "Coma"). Bartok is also just a starting point. Goldsmith has left his imagination and his love of experimentation free rein here, has made every obscure sound object that has brought him incorporated. This music I'll even listen in ten years. You do not wear out. It is wrong-headed and cranky, but no matter for sound purists - such people hear no soundtrack. His great masterpiece, even before "Alien". Anyone who has heard "Planet of the Apes" ten times, these sounds considers perfectly logical and natural. Nothing it seems "intended" or crazy. A crystal clear matter admirably resourceful orchestrated.