After the commercial by his standards flop of "Holy Wood", the theatrical shock rocker from the United States solely dedicated to his hard, brutal pace of previous albums like "Antichrist Superstar". Styled by the Viennese artist Gottfried Helnwein, but without his longtime companion Twiggy Ramirez he rocks in the first third of the album snotty (better term comes to mind not a) therefore. And the inspiration for this he has from the Vaudeville of the 30s, he can resonate in the title track and verbally beautifully embellishes. Widescreen guitars on "(S) aint" or "Ka-Boom Ka-Boom" or his now familiar staccato riffs as in "Doll-Dagga Buzz Buzz" are an expression of his unbridled expression of will, which does not stop even a few self-citations. But as long as he is quoted at such a high level - no problem. The same goes for his songwriting, which provides nothing new, but is consistently good. This is the production with its loving details, the small loops and samples on the absolute amount of time.