TEAM WORKER *** DREAM TEAM ....,

Two children of the South have since found sensed, Joy Williams and John Paul White from California from Alabama,
Together they call themselves -THE CIVIL WARS and take their debut album in Nashville -Barton Hollow- on, named
after the Hometown of the male parts.
Assumingly a place of happy childhood, the bittersweet memories, bathed in the warm sun
Radiation Alabama.
Bittersüss then also referred to the character, the flair of this joint performance, but this feeling with each other this whiz past each other, slide - the rub ...
This Antagonimus is already described on the one hand in the texts, couples who are become strange or only
not meet, either from timidity or shyness. Eternal Search, desire, longing and restlessness.
Secondly, it also brings the vocal expression, mostly harmonious together but
a side by side, a mutual emotional cinema.
Nevertheless respectful concerned that no trumps the other, merges, subtlety, balance.
This mix of emotions is reflected in the limited stock again, an afternoon in the Cafe with champagne and whiskey, the woman slightly bitter, almost resigned face averted and verweigernder posture, the man with skeptical, almost wounded, wounded look. But yet familiar already doubtful.
A single word could deplaziertes here the tense situation completely lead to Cut.

Musically are the voices of the duo in the foreground, Acoustikgitarre, fiddle, piano, pedal steel, violin, cello
soundtrack only discreet intimacy of singing partner, interfere or do not dominate.
Overall records this a wonderful sound portrait of a Folk / Indie / AOR Country Team, the protagonists are
Incidentally privately not in league, believe it or not, almost one wishes it, that they were there.
Especially since the lyrics were written by the two together, probably because everyone has contributed its experience
and sensitive ... let emulsify. And it is forming the Head Impression: -nothin compares to you ...
Joy really deserves its name, sweet, delicate, Männerkopf- (and heart) twisting voice (I guess Alison-
Krauss-worshipers will do infinitely good), John Paul White, however, the ladies will melt away
with soft, devotional baritone, compassionate sentimentality ...
Together just unbeatable, as confirmed by the awards and honors the music critic.
Tempting, mystically seductive, inciting, or provocatively toucht this Southern Sweet-Couple the listener,
That alone throat are closely related to the song -FORGET ME NOT, shake the heart and the soul can bleed.

I've been a-waitin for you, and you've been a-waitin for me
Tell me did you ll always be true, and you'll be the only one for me
Forget me not, my dear, my darling, forget me not, my love
I just want to hold your hand, hang on every word you say
Let's write a song for us
And sing it till we're old and gray
Forget me not, my dear, my darling, my love Forget Me Not
I m comin home real soon, please leave a light on for me
Tell me did you ll always be true
And you'll be the only one for me, yes, you'll be the only one for me ...

Hackneyed declarations of love you could say, yes, yes, but always valid,
repeatedly wertig on s new, like The Civil Wars that illustrate always believable, true, unique.
Other Anspieltipps does not need it, from the first to the last track viable, full of promise,
consistent.

Produced by Charlie Peacock for Twenty Ten Music,
The line up is listed per song digipack, I save here. Texts are also included.
There is a luxury edition with six additional titles, partially cover versions, I verpeilt
I hear a look, although Schwermutsbedürfnis and Sentimentalitätsanwandlung here with the
own numbers well served, long satisfied, charmed, is collected. And that's saying a,
which departs on juicy, testosterone-soaked, consistent men's roots-rock on the whole!