The last real Em Cee

Yes, this time we have really long enough to wait until then relatively quickly a new album from the King of Rap appears. Certainly also because due to a competitor to the promo of his album it built to provide the title of King of rape in question, which led to various internet sites to polls, who now unless the king. The voices of the people were quite clearly in favor of Savas Yurderi, but now the question is whether he is capable of his ambitions turned, once again musically inferior. How he responds to the hustle and bustle, he wahrnam only from the outside without express yourself?
He invents Rap again and again? Is there a judgment part II?
His opponents invoke the aberrations in the pop business (Xavas), his comparisons would become weak, the fault of the bite out of KKS times, the controversy, his wit and his dirty humor, to whom he owed his rise beside his precise flow.

The first video decoupling 'Matrix', together with the promulgation of martial title 'martyr' provided the first answer. The track total returns no big surprises, it is the style of a classic Savas song, but you can tell Savas again his enormous increase in hunger on. And he actually goes one on his new adversary and his followers, to deliver without a typical Disssong. Rather, he convinces with metaphors and allusions that even partially open up a not immediately. This thing has absolutely bite and bears witness to one of the maturity and sophistication of a man who is almost 20 years in the game, that he was not particularly engaging, but his supremacy plays out specifically. He remains true to himself, represents its position and does not change by targeting the whole song aligns for example, only on punchlines and comparisons. And he takes the thing extremely seriously and goes to the discussions a but. His hunger is there, he wants to prove himself, instead of resting on it that he has to prove nothing more in principle. For everyone who has followed Deutschrap in the last 15 years can say with certainty that there will never be a single musician again, hiphop will miss such a boost.

The second decoupling 'martyrs' then came the second theme of the album to fruition: The criticism that a Deutschrap artist nowadays must give up his life in order to satisfy the curiosity of the fans / consumers. Battles and conflicts provide the material for the press and the discussions at the schoolyard. Who satisfy this concept sells well. This zeitgeist know also the new Konkurent whose name I will not mention here (is a Savas-review) best to use for themselves: In addition to music, there is a television series on Youtube, a clothes label, fitness programs, et cetera. Granted, the man has even provided the right to give young people what they want. He makes also no secret of it that making money is his motto. But that still uses these musicians the title 'King of Rap' for his promo, the men Yurderi who has put his whole heart and soul in the art is too much.
The song itself is full of drama, whether in video or musical base. Overall, the title of the wordplay does not fall quite as krativ to as 'Matrix', but the thing is still a board in front of the Lord, and by now I had the distinct feeling that the long-player is impressive.

Shortly before the album finally came out, you could still watch a live video of 'SA to V'. Gegnüber the excellent preliminary Videos is the beat, minimized on slightest. A boy of a constantly recurring melody sings to herself and a few drums, finished. Here only the spitten is in the foreground and the highest technical level. 'Essah horse lungs' rattles through the thing like' ne AK47. Von wegen 'asthmatics and so' .. In general, it is very interesting later on the album, like Savas repeatedly on small allusions of criticism is of those who no longer see him at the top. Although he was long gone, he has followed all the tiniest.

Yesterday, picked up the box after work at the neighbor and unpacked nervous :)

About the content there is not much to waste words, that you could indeed see before. Unfortunately, there was a large Enttäsuchung- the USB memory is fully locked, as if it were a CD. The instrumentals plus bonus track (incidentally, in wav format, why ??) can be drawn up, then you could throw away the thing in principle. A really nice idea was presented here totally. One would have the thing still can be provided with a 'Kool Savas' imprint et cetera .. A pity.

But what counts is always the pure music and already the 'Intro' with Tim Bendzko comforting immediately about the disappointment away. The beat slowly and mysteriously builds up and stoking the anticipation when the Master finally rauslässt the first few lines. But before we learn, first, that 'the people clap loud, if you win a Grammy, even louder clap when you win an Oscar, but the loudest clap when you fall - when a champion ko goes'. The Martyrs topic is therefore indicated consistently in small allusions repeatedly.
A loud scream and then we'll meet subjected to a stunning flow. In principle, the complete statement of the album is in this intro already betrayed - when Savas dies, dies this Mucke. Because 'it is not not only King of Mucke, he is this Mucke', as already known from 'Matrix'. An absolute goose bumps effect which is musically and technically in its entire production simply the crowning, there really is nothing more. Madness, something only succinctly as 'Intro' to describe. But he remains simply faithful, the intro has just always flash and immediately go to the twelve. Tim Bendzko gives the whole a bit on it as a spice in the dish (sorry for the Wacken comparison, but I have luckily prove anyone;)).

The next two songs were already known in advance, so I will not go again plan a.

'Doubts and confirmation' is one more time the whole debate about the 'King of Rap' from. Would be interesting to know at what time the track had arisen because the essence of the lyrics is quite clear that he has done it again, especially to satisfy his own hunger and his own ambitions.
The concept is a bit strange at first. On thumping bass and minimal instrumentation is heard Laas Unltd. rapping in strong tiefgepitchter voice how the scene has come to its status as the King of doubt, partly because output as 'Xavas' or 'aura'. Before you get to do it with the fear that the track the whole three minutes further OK, you hear a strong 'Game Over' before again falls similar to the intro an avalanche. An unbelievable eloquence coupled with insane tempo changes, everything on the clock, mistaken. Thus, the confirmation follows in the fourth track.

But before you will be amazed with his mouth open, he gives us a track to take a breather. With the singer Alexandra Prince is now following the poppigste Song of Long Player. Piano beat and sung hook but are completely at odds with the lyrics, which precipitate as the whole album quite hearty. Also it is seen that Savas certainly not discuss some that he has become well-behaved and they lack the time the Snotty from KKS times. For me, one of the favorite songs on the album, as well as rap may sound quite melodic. Gadgets you can not find this time, Savas does routinely what he consistently pervades many years - to abzufeiern itself and abzuwatschen the scene.

After the first video output coupling matrix can be found now '2 The Essence', with the old masters Masta Ace and Tajai from overseas. It has become a very smoothes thing that something falls out of the album, actually is not spektulär, but can listen just so lovely. Again, the technology is more in the background, the beat is laid-back and slightly dusty, overall the song is no more than an ode to the old days, before rap expanded its boundaries.

The King leaves us but only kurzverschnaufen because on 'It rattles in a box' is again gespittet three minutes without break mercilessly. Here you get back Savas in its purest form, with tempo changes, full voice onset and many variations in flow and the whole thing on a rather funky beat that fits the song.

'Rap on Rap' thwarted a quite long-lasting discussion, namely that Savas can not offer great variety in his songs. That's why there's also the song over and over again the same - a continuously looped synth melody and a young voice that repeated like a mantra, 'Oh, he makes only rap - rap about rap'. Like certainly not everyone, but the principle of monotony and repetition suits the song, of course, like the proverbial fist on the eye. Oh, if he only makes rap rap, what others are doing? I'll tell you - rap about nothing!

In 'All in all,' there will be wild again, a slightly frantic synth beat with harried Hook expects true to the title with mathematical precision from or from what 99% has remained all German rappers in the end - namely nothing. Quick surfaced, dived quickly.

In the next song, 'Last Name' takes up the topic on an Asian influenced beat again, but less playful with full vocal use.

This is followed by the obligatory Skit, as always, a track is to the album completed front end as usual a little quieter. 'Waited long enough' is then a very quiet Beat the summary of the entire album and with the epic intro provides the framework of the work.

Surely it is now quite difficult to summarize the album a day in a review, after having heard it through three times. This is partly because I'm really a little flattened and especially highly impressed. Until the album has collected in his entire facets pass safely a few more weeks. Throughout his attention to detail, the work is surely the biggest of his career. The content is nothing to settle out with the whole scene here is not a disadvantage, 'head-up anthems' how 'on top' or philosophizing about the meaning of life as 'Best day of your life' would surely have acted as absolute foreign bodies , The whole album is boring at any time, but anything but light fare. He gets out the balancing act that his lyrics are much more detailed again, but still no effect cramped. There is no real filler on the album, only '2 The Essence' does not quite fit into the concept, is but no less good. For Savas fans (including me), this part is not less than a rap revelation and everyone will hear his first three or four favorite songs in loop, he ebvor Also the other songs intense sounds. As I said, easy to digest this disc is not.

To what extent will affect this work again the scene significantly, only the future can show. But the fact is that everyone who shares the Rapgeschmack of Savas, gets a timeless masterpiece. This is a new level, technically highest level without abkupfern, one hundred percent Savas. He remains true to itself and nevertheless responded to the criticism which is countered completely here. In short, the king retains his crown, and each of a small understands little of hip-hop music in its purest form, will have to admit that this album is the benchmark and will be secure at all to the need to be measured.

Enough of praise, the King salutes, I go now 'martyrs' listen!