He is matched rather warm and also needs its break-in period, then worlds Tuen on. The heights just need this break-in period, which is most apparent in the songs of Tarja Turunen or Kate Bush to come across much more brilliant then. For complex orchestral passages the A26 sometimes seems a bit overwhelmed me, not bad but falls every now and then on. In Akustkmusik or instrument solos they skin a music to the ears that it is a delight. The bass does not go, not surprisingly, very deep but is always traced accurately and enough for normal listeners from fully and makes a sub superfluous.
Overall, the Boston A26 is an excellent speaker which does not have to hide even before the 500 class. I hear him again very much like music and that makes even after many hours of fun.
On the edge is still just mentioned to Boston Acoustics: The sticker on the side (Remove Protective Film) is kind of stuck thoughtless plan that you can not get down to clean and remain Klebereste back. Why not stick the film on? Would be really thoughtful.
Aunt Edit: The sticker is still stuck with it "meaning". See comments! ;)
Aunt Edit II .: In the meantime do the speakers at Marantz MCR 510 their service and I'm still excited. If one did not know better would think there is a larger and more expensive system. I've been using this powerful combination much fun!