Georg Friedrich Handel's masterpiece "verpoppt"? Some would certainly see as black ... ... I can only recommend it! A unique and unique work of the 90. "Handel meets Pop" - which means that Handel's centuries-old plant was allowed to keep his melodies, but these were verpoppt, so orchestral music was complemented by pop elements and instruments. The (Bible) texts were only minimally changed by the journalists Andreas Malessa and Martin Buchholz and made more understandable. Production of Florian Sitzmann and Helmut Jost lives of the complete surrender of the first-class soloists: Cae Gauntt, Helmut Jost, Eberhard Rink, Robbin Casey and OneWayTicket singer Angela Gerhold. Extremely positive factor is that these five no trained opera voices. The sophisticated vocal arrangements and convince the many instrumental parts. It is known content to the story of Jesus, starting with the Isaiah announcements, ending at the resurrection. The "pop messiah" is not as clear as the original in the three acts (arrival of the Saviour / suffering / hope of resurrection) divided, but it clearly presents the listener always the most important aspects of the story of Jesus in mind. In conclusion, I can only say: That must be heard!