In 1986, with "Invisible Touch" another blockbuster of Genesis, who have turned a new sound from "Abacab". Worked on the two predecessors "Abacab" and "Genesis" the conversion of sounds still outstanding, because you still partly once repented rather complex song structures on "Abacab" and "Genesis" the gloom the Pop Art-style made up for, you leaned on "Invisible Touch "but too far out of the window. There are still great songs on this album. And that at least half of 8 pieces. "Tonight, Tonight, Tonight" is a 9 minute roller coaster ride, the very mystical and therefore comes after the instrumental passage in the middle still fairly decent mood los rocks. Even the super hit "Land Of Confusion" like. He also has a drying backbone and heated a. Then there is the famous "domino" in which the band lets off steam really nice at 11 minutes. While not as opulent as before, but still original and enthralling composed. Finally, the instrumental "The Brazilian" leaves the lot again remember the old times. Tony Banks in top form. The rest is to be considered ambiguous. Although the title song was a huge hit at the time around the world, but it is completely intended for the 80s and hardly without having to listenable fremdschämen Unfortunately today. "In Too Deep" unfortunately is a total failure. As Banks has not covered itself with glory. "Anything She Does" is still quite decent and more fun song "Throwing It All Away" a fine ballad. All this taken together would make 4 stars. But I can not bring myself even though Genesis are one of my favorite bands. I am neither a progressive rock fan, nor do I have anything against the Genesis' Phil Collins era ". I know nothing of "Yes" or "King Crimson", but the plates of "Trespass" through "Wind & Wuthering" blew me away regelmaßig to wonder at. But "Three" Duke "," Abacab "and" Genesis "are wonderful, clever composed great pop-rock albums. "Invisible Touch", however, was largely ruined by the sounds and arrangements. Phil Collins has recorded almost the complete album on Simmons Electronic Drums. Nothing more from the massive drums, as it was also heard on "Abacab". The guitars sound synthesis, and here is not a real band at work you might think. Had this album arranged somewhat timeless, it would be another blast, because these men were able to compose well as collectively unbelievable. This one, however, is to me chumming at that time. The predecessor "Genesis" has shown knotless pop rock goes and on the follow-up "We Can not Dance" You sound almost back to as "Duke" times. "Invisible Touch" but does not get beyond 3 stars.