would have more to do with it

About the titles one must not lose many words well. Except for one all "Ostrock anthems". Implementation together with the excellent Film Orchestra Babelsberg very successful. But there are some points of criticism:

1. The "tribute": the legendary title "Who honors the Rose" is uniquely beautiful in the interpretation of Peter "Caesar" glasses that created this version is the taste rather controversial.

2. The title sequence with 5x double songs of musicians do not just speak for creativity, rather apathy of producers.

3. ... and that's my opinion, a total faux pas: What on earth has the title "Hey, we wolln the Eisbärn see" on a Ostrock CD to search? Machine Quaster & Co: here you have a sponsorship deal handled "discreetly", or how should we understand this? Not only music but of course content and overall thematically a complete blunder among all the very lyrical pieces.