The play, however, is once again terribly failed, despite some good speakers like Udo Schenk.
From the beginning, the dialogues sound like read and stilted. The introduction of the balloon flight might as well have the narrator can make in two short sentences. The inserted scene in the junkyard, of course necessary only later to be able to refer to it, but basically unnecessary. Now come the three ??? finally the mysterious house. The Butler teeming from them, but they take the same plan on a smart-aleck boy named Luke, who always visited his aunt in the summer. Here the speaker's voice is much too young: Luke lecture beaten six minutes over all sorts People and companies. How can the child know such details? Why have these facts are drummed here with the steam hammer the troubled handset? Why can not dosed intersperse in the subsequent scenes? The monologue is every now and then with an "Oh", "Aha," "What?" or "What now?" decorated to give the impression of an interesting conversation, which unfortunately goes wrong.
After that terrorized aunt finally emerges that obviously has one to the gossips and with a terrible voice croaks therefore, roughly comparable to the sound of fingernails on a blackboard. This is followed by the determination of the night. Here is goofed. The only really good scene with Peter in the dark will be given away by between "cut" to Bob and Justus. The music repeats itself remarkably well at this point.
In part 4 is then on an epic scale and totally stress-free clarified everything once again (Crane Triniät etc). The nasty slut wants all numb with a spray to be overwhelmed just by the suddenly sober Ms Pemplem uh Pembroke.
Rubber ducky Pembroke takes at the end of my conclusion almost in front: this seems to me like a radio play "long terrible nightmare before, from which I wake up again at the last hour, I can remember only fragmentary.."