A bomb, of course, without hesitation

Foolishness on my part in these difficult times. I could only complete with the 50mm F / 1.8 II (100 !!!). Everything is amazing sharpness, brightness, speed. Passed by the Compact, Bridge, the 600D, the 60D which was already great ... another world than the SLR, you must love (depth of field to manage carefully, but the neat backgrounds blurred.) Management of 61-point proves much easier than I feared, and they are EFFECTIVE! (Their active number depends on the purpose, pay attention) For example, I was able to make the "macro" (45 cm all the same in this case) in "servo-have" and "spot" of wild orchids, in spite of the wind and a rather dim light: the focus is impeccable, and YES, you can watch the catch 100% (estimated by some reviews not something that I will not name, who say that watching a catch gross 100% magnification is like "looking at a poster with a magnifying glass!") Well NON faultless dive to 100% ... (shot in RAW burst, of course the pictures are not OK, but the percentage is very high!). The videos are perfect, even in low light and high ISO. Switching to video mode is immediate.
Overall,
I found the feeling of "finally redo pictures" (capture of atmosphere, finesse, sharpness, 'textures' ...) and the desire to "work" at the time of decision and post-production, as said, feeling that I had totally lost with the "jpg" if finally fades, without "rhythm", without any depth, granular, waxy or worse, the "old digital" compact-or-zipodique ...
In short, I sleep with.