Almost like the big sister

The cracked lens on the cover of the previous album is still in good memory, Meaningful detail in fashionable accessory beside Asa penchant for Tom Ford it could be perhaps seen to break Western Europe, radio-friendly pop with their own means of propulsion. SchonBeautiful Imperfection So, with the Nigerian-born French woman in 2010 its commercial breakthrough, lived on the most successful crossover from soft and smooth downtempo soul with a variety of stylistic elements of jazz, RnB and Reggae, not forgetting the influences of their African homeland proudly points here like the parallels to her great role model Sade Adu. This succeeded yes to their wedding a stunning, mysterious delicate (and sometimes a little disreputable) bar jazz, who always liked to flirt with the mainstream, but so unique and originally was that he did not fear the definitive collection of formatted, loungy dozen goods had.

So a similar balancing act trying also Bukola Elemide as Asa is with birth name, her voice is far rougher and also in the choice of words she goes to researcher works. Even the entrance to Bed Of Stone is an angry and outspoken indictment, in Dead Again the partners is made very clear that his f *** ing bulls *** duly pulls on the nerves and in the long run harm their health an amateur actor playing Jesus pretty much the last thing she needs for a relationship. Should someone try again want to compare with the Kuschelklampfe Tracy Chapman song should ensure from the start set the record straight. The same is also true for the dark stomp of Satan Be Gone from which is quite impressive short references hear on ritualistic voodoo incantations.

Unfortunately Asa got a few pieces of the album downside of said balancing act then but garzu good and pleasing. A few world music bays as Eyo or verses in their native language (Grateful) can still sit up, but in between too many of thickly applied Soulschmonzetten as Emeli Sande, Alicia Keys and Mary J. Blige throng the program have, pieces, in which the distinctiveness then just disappears. Only towards the end she remembers back to her special qualities that draw rocksteady sounds of situation one brings from the Schmuss Pot, New Year comes with rich radio and even the ironic and sad ballad The One That Never Comes back by the collar with gefühligen Piano bars by adult plate at a conciliatory conclusion. It is possible that Asa precisely the moments in which a work poised between rich and inconsequential, attractive place to now she has mastered this anyway tidy. mapambulo: blog