So is the soundtrack of 9 titles, which pose new interpretations of old productions, the annual range is from Tomorrow Never Knows The Beatles in 1966 to a remix of Björk's Army Of Me from 1995th
The artist list is as varied as the track itself, so work with, among others, Skunk Anansie, Emiliana Torrini, Alison Mosshart (The Kills), Yoav and the three actors Carla Gugino, Oscar Isaac and the lead actress Emily Browning, Browning sings even when three songs.
Produced the soundtrack of producer Marius de Fries and the composer Tyler Bates. The duo served with Sucker Punch, but rarely the clichés of film music.
It all starts with Sweet Dreams. The gloomy interpretation of the classic Synthesizerpop's interesting Designed with electrical sound effects, distorted accompanying chords and orchestral highlights and memorable.
Army Of Me sounds almost by Industrial. Rattling drums, distorted bass, sawing guitars and a Björk in tip-top shape, but alternatively intense.
White Rabbit is well implemented by a dreamy Emilana Torrini. Mostly oriental melodies pairs harmoniously with a rock set-up.
Rapper Geddy performs at I Want It All / We Will Rock You in a mash-up of two gigantic songs by Queen. Fat bass and crisp guitar Einspieler, a successful experiment!
Search & Destroy is naughty, snotty rock of Skunk Anansie, the most rocking number of soundtracks, consistently energetic.
Beatles difference: Tomorrow Never Knows makes a long development through and works by initially a bit lengthy, but from the beautiful orchestral interlude is this song. Overall, very shallow and dreamy.
The first duet Where Is My Mind by Browning and Yoav is very moody and melancholic. Extremely harmonious vocals and marked by a rock instrumentation again from the Bridge, increases in an instrumental breakdown.
The piano ballad Asleep of The Smiths is interpreted atmospheric with Emily Browning's gentle voice and supplemented with a few strings, just beautiful.
Love Is The Drug, the final duet is a club number. Jazz-heavy and needs some getting used to, but clearly a title in style.
Finally to say is that this soundtrack deliberately not aimed at the mainstream, but it is an interesting journey for music lovers without fear.