... All those detractors who would like to see the "sacred" where there is ... but love, no less. The French are moaners and comments a distressing star. OK, there may be plenty to talk about in the choice of securities or the musical adaptation. But still! Why so much hatred? For example "The Prayer" by Georges Brassens was a great story: The great Brassens had tried the technique of "stamps", namely singing two songs on the same melody. And the wink wants that he chose two pieces of two very opposite authors in their spirituality: the Communist Aragon (There is no happy love) and very Christian Francis Jammes (the sorrowful mysteries) has obviously retained Priests. Other titles are obviously more "secular" in their commercial context, but to listen more closely, much sense. "Savoir aimer" Pagny, "Since you leave" Goldman or "indifference" of Bécaud seem particularly successful. Finally some "invented writing" on famous compositions can be variously appreciated (Ode to Joy, Ravel's Bolero or Sonata Pathétique) but the openness it is not a reflection of the opening of hearts? Small flat on the choice of two Christmas songs, which fall a bit like a hair in the soup in the middle of spring. You choose then, but beyond the humanitarian gesture, make sure to let the music carry you for a true moment of happiness.
