Unlike many other rap albums every single song is very good! ZM create with their cynical / sarcastic social descriptive texts a frightened / startling (I find it cozy) atmosphere. This boring "I was knocked down twenty times and now I'm on the twenty-first time!" pseudopathetische children drivel does not exist. You have to imagine this: Not one! Not a single byte wasted, wonderful! The beats match the lyrics, the lyrics to the beats, whatever you would like to take this. What then there can interpret into / want is up to you. The beats here are very different: often times electronically ("Oranienplatz") but then sometimes with trumpets and South American flair underlaid ("Santa Cruz"), partly simultaneously ("Agency son"). The lyrics as usual, because you do not lose too many words. Topics are mostly consumer, be it drugs or the general consumer consumption, youth and murder, all packed chic with the beats and the matching of voices Grim10irgendwas and Testo. Ideally, this album is worth the money demanded. There will always be a controversial and contrasting pregnant atmosphere created, in my opinion. But precisely because ZM remains true to its style is a bit monotonous, which is probably the biggest complaint about the album. Lyrics are in the album art (or whatever is the piece of paper inside the cover) is not in it, but a chic A4 Poster (?). Conclusion: ZM does not fall out of his beloved from the transitional style, which in my view is the right place (for example, compared to the Antelope gear). But therefore it also runs the risk of being a bit monotonous, partly the title transitions are me not noticed (in passive listening). But make up your own mind, which are worth the thirteen Euro!
