LOVE SYMBOL takes stock of the first decade of his career (ok, there were a little more than 10 years ..). Here you will find all the musical styles that he has used to date, and thus presents its diverse camper work.
New to the list is the Raep / hip-hop influence he ennobles and perfected at the same time. His Räps are aggressive, provocative and funny all at once. More a pastiche of the genre.
MY NAME IS PRINCE drives the hints and insolence lyrically on the top and also tells us that while Prince had to give its brand name / wanted, but that can take his or her identity to him no record company.
He remains PRINCE, even if the symbol decorates his plates and invent the media such as TAFKAP d.mmen pseudonyms.
SEXY MF, also very brash and stylistically ambiguous, is regarded as a great successor of KISS. Here he plays the Gängsta who can laugh at himself and still remains a cool womanizer.
LOVE 2 THE 9`S, THE MAX, THE MORNING PAPERS are first produced pop pieces and deal with the most beautiful thing in the world, as well as the Reagge-tinged BLUELIGHT or electrical I WANNA MELT WITH U.
SWEET BABY and DAMN U are great tender ballads. And also in this genre brilliant Prince like no other.
THE CONTINENTAL raises again a little, and then follow the fantastic ballads 7, God Created Woman and 3 CHAINS O` GOLD, which are also a firework of musical styles before the cynical ending with SACRIFICE OF VICTOR comes and Prince so that the plate thematically as complete as it was opened to the first piece.
5 Stars :-)
