Top camera for low light conditions

Top camera for low light conditions

Nikon D700 Digital SLR Camera (12 megapixels, Live View, full-frame sensor) housing (electronics)

Customer Review

Bin ambitious amateur. 2 years Fujifilm S6500fd (Bridge), 2 years Olympus E520 (Four Thirds DSLR) and a year ago Nikon D700. Can only confirm the positive D700 speakers. The photosensitivity is gorgeous; I can photograph everything I want, without a tripod and without flash. The reason is quite simple in physics: The fewer pixels, the larger the individual pixel and the better the signal-to-noise ratio. In the study of test reports which have electronically measured exactly the photosensitivity or the noise behavior, I found at that time that this camera is actually the one with the least amount of noise is because they are the only one with full-frame sensor and 12 megapixels is "only". The signal-to-noise ratio of the D700 with 12 MP was then exactly twice as good at the best Canon with 24 MP, across all ISO speeds. The settable ISO speed is not a factor, because it says nothing about the noise from. With a bright lens (1.8) I can take pictures from his hand with the D700 also candlelit yet. Even in the dark, where the human eye can perceive already no more colors, "sees" the camera, the colors still quite normal (the focus is then freehand but borderline). The D700 is so good that I only shoot in RAW and all image optimization functions have switched off the camera. Almost always the photos are already optimal. If at all, then only the most minimal adjustments in the RAW development are needed. Even in difficult lighting conditions (sun and shade), the high light sensitivity comes to Good. I then Expose under by about 0.7-1.3 EV, so that the areas appear normal in the sunlight. The dark shadow-parts are then specifically brightened in RAW development, with virtually no noise, so amazing details come here to day. The reason for this lies in the 14 bits per color channel of the D700; but almost all computer displays have only 8 bits. The RAW development brings quasi the image information from the low-order bits "upwards", in preserving the natural color (unlike HDR, where the naturalness of the colors being too suffers).

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