- Strings (melodic in different layers)
- E-Bass
- Bass Drum
---------------------------
The increase then the following occur sporadically:
- Timpani, cymbals
- Church Bell (Kirchenglöocke)
- "Bell effect" (I do not know how the sound is)
- Piano sound
- E-guitar sound (short as a reconciliation)
The sound selection is therefore designed principally to 3 instruments. The other instruments are used only to increase and only now and then.
The only problem is that someone comes here very "Marre J'en ai" of Mylène Farmer's and Boutonnat's composition for Alizée has inspired. This is pretty straightforward. The following criteria strongly suggest:
- Exactly the same tone, exactly the same harmonies (although this alone is going)
- Same sound and structure with strings
- Background vocals used in the same way
- Late-onset instruments chosen by similar motives ago.
Therefore unfortunately only 3 stars.
Because it is making for a composer much easier something new from a template to start from scratch as completely.
Many good musicians creative musicians need in spite of their skills a template to write then beautiful arrangements. It's now not so bad. One can not "steal" call. For chords, you can not steal. There are just a set of good sounding, understandable for ordinary listeners chord progressions.
Here, however, was plagiarized much of the structure and the Sound.
Therefore only 3 stars. In restaurants there's not equal to 5 stars, just because it tastes good. ;-)