Compared to its last albums Einaudi goes here still new ground because it does not only appear naked piano, but as it did in the album "Diveniere" set pieces of his melodies with which records in several pieces on electronically distorted way, as well as other instruments, like. eg strings be reinstated rather distorted in the background. In addition, for the first time diving on various percussions in the songs.
Perhaps something gewöhnungsbdürftig For "old" Einaudi fans, the approach is still carefully enough that you can put this CD on a par with the previous CDs.
However, I find the title and the picture real fit! Access is truly a bit darker and heavier than other albums by him. And I've actually resorted in several pieces for remote control and the next piece of hinted, because I could no longer hear the current piece of ... (This concerned insbesondre the title 6,9 and 12) This is something that I at Ludovico Eindaudi rarely happens! Therefore, only the four stars instead of five!
I was on 09/11. 2009 at the concert of Einaudi in Berlin. It was found that there is indeed a new form of music at Einaudi. Many pieces that he played come from the current CD. And beside his piano, there were 3-4 strings, guitar and percussion, as well as an electronics technician of the clearly as the most important "musician" next Einaudi most influenced the music. I admit honestly: I love the "classic" Einaudi, in which alone the piano is the focal point, more.
Anyone looking for a first contact with this music reaches best albums: "La Scala: Concert 03 03 03" (a very nice live recording) or The Collection (very nice compilation) or to "I Giorni", as after my view the most beautiful single plant.
It remains for me but more a mystery how a man can create such melodies on the piano! I am grateful!
