Bastien was already Viviès to highlight a notable author for its quality design and its ability to describe the movements of the soul through the flexibility that it happens to be in the body and facial expressions, whether in its stories to the pool (chlorine taste), or even in his early stories of teenage trifles, but here it reaches the quintesscence of his art. More color, just an agreement of gray, white and black and above all a plot forged economy on the wire of a broad brushstroke contrasting with a fine line that arrive to pass the space between the figures with rare efficiency. It is also that it has found (finally) a narrative that gives a certain gravity, or more accurately a center of gravity, a balance between the drawing and the story was missing until now .The first always seemed much higher the second before (and again now, we wonder why this talented artist is lost in unconvincing mythological albums). The story here is fully in harmony with the drawing style because there is just matter of dance and learning and what is indicated that this slight sketch vocabulary to tell .Finally behind this story of choreography, it is also read the whole story of the teacher / student ratio in general, and the evolution of it in time .There is also often question of artistic choices and the notion of modernity and opportunity. In all respects, and writing a story that should not be ignored.