Probably it is because of a certain age-related sentimentality that my first albums still like best. Regardless, the new album is absolutely worth listening to, but it shows the permanent ability to progress and is partially beautifully melodic. Without knowledge of music production: What would be the album without the producers? This used to be certainly different. The really remarkable thing is the professional commercialization (the yield I do not begrudge Tocotronic). But (etc. ", the first album about love of the discourse-rockers" Book Biography) to bring the whole machinery into a run and then still to be regarded as revolutionaries and indie rockers and sing about solidarity and philistinism that has something. But maybe the whole thing is also meant ironically, just as the beautiful song "Date with Dirk".