What I admire since I met the Pinnock records in the 1990s: his commitment and integrity, at a time when the baroqueux epithet was contiguous to the partition performers playing the composer, only the partition but all score. Some have criticized him in Vivaldi lack of italianized: it is above all the accuracy and naturalness with which each movement (and each work) says his character that makes the value of these interpretations.
Of course everyone prefers, in isolated works, this or that interpretation (for the "Water Music", my heart balance between Pinnock and Gardiner "and for" Fireworks "with Zefiro)
