A pop diva on the amount of time

Long as it is over, the time of candied pop songs that Marianne Rosenberg made large and the record company rich. Stubbornly she went her own way, gave up the revenue-generating commercial and thus on top positions in the charts. Herself she wanted to realize. Thus they showed courage, and that is also what makes it different from most of her colleagues, who preferred to continue to put on "safe".

From this self-determination out also the new album "Rain rhythm" that has so purely nothing at all to do with the hit was: Puren, sophisticated pop, embedded in part spherical, quite also grim-heavy sounds, Marianne and her crew wrote on the body, whose only drawback in my opinion is that the "very large" ballad was waived as "For a night with you," for example, represent timeless tracks like "The feeling for you," or the goosebumps anthem. Deutschpop high levels exists. Deutschpop whose complex beauty unfolds after several Hörwiederholungen. Not as catchy, not so gay-oriented as their masterpiece "Luna", but innovative, creative; Rosenberg just pure.

Schlager friends who sing-along evergreens expect after the knitting pattern of "He belongs to me", be warned: The Rosenberg presents itself both musically and lyrically altersentsprechend, creative and mature, but with the hauntingly beautiful voice still. "And when I sing", so they dubbed the catchiest, most personal song maybe this luxurious and equipped with all lyrics album.

Although not a die-hard fan, I hear her very happy, this so impressive unruly self-determined creative expression: Across all styles and decades of their musical work that made her become the exception in the German Business multifaceted.