The drawings, hieroglyphic or calligraphic impressions, highlight the main areas of Kafka's reflections on himself, on his world and especially the World ... They bring new insights, modern and timeless words its precursors, which are understandable given the exact place they occupy in its literature ... They are remarkably accurate and they reveal a clear draughtsmanship. Each drawing has an essential place in his writings; it is as much a visible and legible signs, figurative or not, a protest, a surrender to improvisation ... The drawings of Kafka, that coordinate with a plural reading the various scriptures are not the gribouills that we discover in Proust, for example, it is the pulse of a writer who gives way to tightrope or acrobat.