One very good versions; which notably shows that a rather small staff is guarantee better sound clarity without limiting expressiveness. The sound in the chapel of Versailles is enough reverberation, but still readable. Similar, yet different, with versions of Jordi Savall and Harnoncourt; I like less than Roy Goodman, in versions with "old" instruments, much less that of Corboz, more conventional; and a suggestion: visit the Leonard Bernstein version with the Bayrischer Rundfunk, a rare elegance including the entire "Sequenz".