an exception

I admit it: I am still fresh in the wake of his Munich live concert of a few days ago.
In this respect, some subjectivity is permitted in the review of this album.
It is good to know that there are still people who have the courage to stand with nothing more than an acoustic guitar and a distinctive voice on stage and telling stories. Milow is one of them, as well as the way its impressive opening act "Martin and James."
There is also a pronounced penchant for perfection, improvisation and the ability to withdraw at the right moment.
That is the time for the congenial female voice, Nina Babet, and the brilliant band around the pianist Joris Caluwaerts.
All of this is captured wonderfully on this live album - the DVD delivers on request the right optical accompaniment component.
Highlights, unless you really like to emphasize something, are "The Priest" and - of course - the live particularly impressive "Ayo Technology".
The only improvement would be only a visit to a Milow concert; this will again be given the opportunity in February 2010, since the Belgians will play in Germany due to popular demand a lot of additional concerts.
It is even better to know that there are obviously a lot of people out there that still enchants this original hand-made music that can get into it.
Annotate I want sake of good order nor that the song "Until the Morning Comes" is not unreleased piece, but on Mr. Vandenbroeks debut "The Bigger Picture" can be found.
Conclusion: A great singer / songwriter album of a sympathetic singer, which is to be hoped that it remains grounded despite his almost uncanny success.