Granted, only affects the musical dress new Dendemann poetry, which for years is already packed with metaphors, twisted proverbs and co., A little strange, but the more you listen, the, the more can be thought of as listener it a.
Lyrically as I said for me the first highlight of this year. Dendemann told and curses at a high level as a female fishwife with extreme fluency - and the emphasis here is on the river, because the whole album is well thought out from start to finish.
The beats are quite different from what I thought.
Those who have not found the beats of the puddle of the iceberg so great, have certainly the handmade style of the new album their problems, to make friends with it.
The songs are more angular, more complex, they are content about, but musically they have deliberately edges, it is slightly heavier stored melodic and yet everything goes well into each other, but those without this catchy factor I still felt at the puddle of the iceberg ,
This in itself but not a criticism, just my perception of how I perceive the songs.
Live fire the everything what is certain flammable.
Yet I wonder how the subtle poetry would sound on beats without electric guitar.
Since I do not the electric guitars'm really music lover, I find the use of electric instruments Schrammel places as too dominant.
Drums were used very skillfully that beats a pack.
Conclusion: Toll extending Dendemann representative of Hip Hop Germany developed in a direction that brings back artistic standards at all levels with them. With the new musical direction you will not only hip hop listeners and old fans justice but can also inspire many a rocker, I'm sure.
