What were the first time for two albums of Backstreet Boys! Nobody would have expected that they can maintain the success and quality in this way, and then came the two albums, which in my opinion forever about everything that the music industry has ever produced or will produce, will float: Millennium and Black & Blue. This was followed by a five-year break, and then with rock ingredients to reinvent itself and deliver with a Never Gone again absolutely outstanding album. But then after Kevin left the band appeared with Unbreakable and This Is Us two albums with which nobody really knew what to begin. This was followed by Kevin international retirement and now therefore published four years after their last album In A World Like This. What you have to expect it, was clearly due to numerous song releases prior to: adult, but contemporary pop.
On this album is everything we know from the current mainstream music, and therefore almost anticipated represented: guitars, Auto-Tune effects (even as a toy, sometimes as a correction means), four-on-the-floor beats, Ooh-ooh-ooh-catchy, flashy sidechain compression and tape stops, typical dubstep synthesizers, and more. and yet this album stands out from the crowd because all these elements in moderation and not as usual from many other albums appear in masses.
It starts directly with the title track, for whose production none other than Max Martin & Kristian Lundin were selected. That everything that these two make together with the Backstreet Boys (including I Want It That Way and Quit Playin Games), is a hit, is an unwritten law. The fact that, however, such a giant firecracker would come out, I did not consider possible. In keeping with the 20th anniversary mix the two well-known Swedish pop genius Cheiron elements with current guitar pop. I can take it away: it is by far the highlight of the album, what ever do nothing about the rest, but simply speaks only for this gigantic song.
Permanent Stain is the next mega-catchy. It's hard to ignore that this song by the same producer as Its Christmas Time Again, namely Morgan Taylor Reid originates. One would almost think that here was another Christmas carol, which not change the fact that this song is one of the best on the album. He just tears with and remains in the ear.
With Breathe and Madeleine are two produced by Martin Terefe songs that super fit for summer. Whether the good mood in the morning, to driving, to recover from the heat or the barbecue just always fit!
Show 'em (What Youre Made Of) is strongly reminiscent diverse OneRepublic numbers, could have come from Ryan Tedder itself, but is a new Morgan Taylor Reid production. Brachiale Drums, large soundscapes and catchy melodies make this song to another mega highlight of the album! Make Believe (produced by Dan Muckala, including Incomplete) follows on directly!
Then again are two quiet Martin Terefe tracks on train. Try represents in my view, the weakest song on the album is, yet it is not nearly as catchy as the rest. There is a great song to relax! Trust Me is the feel-good song on the album. The chorus you will not soon go again! Super well as the track itself increases to the end!
With Love Somebody, two new producers on the album in appearance: Justin Trugman & Jaakko Manninen! And both bring powerful impetus to the two songs previously relaxed. Housed many current items in a song, and yet something very Private composes another major highlight! One Phone Call also sounds very fresh and modern, the title is more akin loyal BSB fans held their opener of the Black & Blue album. Like all MT Reid productions on this album lives this track from the atmosphere in the chorus, also another class catchy!
Feels Like Home is seen as a global pre-salute to the fans before it actually goes to great in A World Like This Tour. The stomping and clapping Dan Muckala beat can listen like one this song correctly. Again, for the refrain: earworm guarantee!
Soldier is an absolutely worthy conclusion of the album from beginning to end and the rousing chorus is so catchy as nobody else. One of my favorite songs on this record!
In general, excellent sound quality (!!) be praised, which is not to be expected on all releases today and, incidentally, is still Amazon for the quick delivery (1:08.) Thanked!
Keep The Backstreet Pride Alive!
